Fear and Misery of the Third ReichA&C Black, 30.12.2015 - 144 Seiten Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. |
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Seite xi
Bertolt Brecht. that the actors should not simply be drawn from Die Laterne, whose level seemed to him amateurish, but ... Berthold Viertel too included 'The spy' in a mixed programme for the Free German League of Culture in London in May ...
Bertolt Brecht. that the actors should not simply be drawn from Die Laterne, whose level seemed to him amateurish, but ... Berthold Viertel too included 'The spy' in a mixed programme for the Free German League of Culture in London in May ...
Seite xiii
Bertolt Brecht. A mutual friend with whom Reyher discussed his adaptation told Brecht that it 'has a good chance of being a ... Berthold Viertel staged four of the original Angst scenes for an anti-Nazi group called Die Tribu ̈ne in the ...
Bertolt Brecht. A mutual friend with whom Reyher discussed his adaptation told Brecht that it 'has a good chance of being a ... Berthold Viertel staged four of the original Angst scenes for an anti-Nazi group called Die Tribu ̈ne in the ...
Seite xiv
Bertolt Brecht. barbaric horst-wessel march [the Nazi anthem] simultaneously sentimental and disgusting. Though Reinhardt's ... Berthold Viertel, who had also been in the market for the play earlier. The performance was beyond rescue ...
Bertolt Brecht. barbaric horst-wessel march [the Nazi anthem] simultaneously sentimental and disgusting. Though Reinhardt's ... Berthold Viertel, who had also been in the market for the play earlier. The performance was beyond rescue ...
Seite 102
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