Impossible Desires: Queer Diasporas and South Asian Public CulturesDuke University Press, 19.04.2005 - 247 Seiten By bringing queer theory to bear on ideas of diaspora, Gayatri Gopinath produces both a more compelling queer theory and a more nuanced understanding of diaspora. Focusing on queer female diasporic subjectivity, Gopinath develops a theory of diaspora apart from the logic of blood, authenticity, and patrilineal descent that she argues invariably forms the core of conventional formulations. She examines South Asian diasporic literature, film, and music in order to suggest alternative ways of conceptualizing community and collectivity across disparate geographic locations. Her agile readings challenge nationalist ideologies by bringing to light that which has been rendered illegible or impossible within diaspora: the impure, inauthentic, and nonreproductive. Gopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaul’s classic novel A House for Mr. Biswas, Ismat Chughtai’s short story “The Quilt,” Monica Ali’s Brick Lane, Shyam Selvadurai’s Funny Boy, and Shani Mootoo’s Cereus Blooms at Night. Analyzing films including Deepa Mehta’s controversial Fire and Mira Nair’s Monsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywood’s strategies of queer representation and to what is lost or gained in this process of translation. Gopinath’s readings are dazzling, and her theoretical framework transformative and far-reaching. |
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... logic . " 84 The way in which these " other kinds of pasts " are not outside the logic of capital but rather are embedded within it is made clear in the depiction of Asian immigrant women workers in the documentary Bringing It All Back ...
... logic of the school space that stands in for Sri Lanka as a whole . Yet while queer desire here , as in Kureishi's My Beautiful Laundrette , undercuts the logic of ethnic / racial purity and authenticity , it does not transcend it ...
... logics of affiliation . The logic of “ pigs can't fly " becomes transformed , within diasporic public culture , into the alternative queer logic that allows for two brides in bed together , a marriage without a groom , pigs with wings ...
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Impossible Desires: Queer Diasporas and South Asian Public Cultures Gayatri Gopinath Eingeschränkte Leseprobe - 2005 |
Impossible Desires: Queer Diasporas and South Asian Public Cultures Gayatri Gopinath Keine Leseprobe verfügbar - 2005 |