Impossible desires: queer diasporas and South Asian public cultures
Duke University Press, 2005 - 247 Seiten
By bringing queer theory to bear on ideas of diaspora, Gayatri Gopinath produces both a more compelling queer theory and a more nuanced understanding of diaspora. Focusing on queer female diasporic subjectivity, Gopinath develops a theory of diaspora apart from the logic of blood, authenticity, and patrilineal descent that she argues invariably forms the core of conventional formulations. She examines South Asian diasporic literature, film, and music in order to suggest alternative ways of conceptualizing community and collectivity across disparate geographic locations. Her agile readings challenge nationalist ideologies by bringing to light that which has been rendered illegible or impossible within diaspora: the impure, inauthentic, and nonreproductive.Gopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaulrs"s classic novelA House for Mr. Biswas, Ismat Chughtairs"s short story "The Quilt," Monica Alirs"sBrick Lane, Shyam Selvadurairs"sFunny Boy, and Shani Mootoors"sCereus Blooms at Night. Analyzing films including Deepa Mehtars"s controversialFireand Mira Nairrs"sMonsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywoodrs"s strategies of queer representation and to what is lost or gained in this process of translation. Gopinathrs"s readings are dazzling, and her theoretical framework transformative and far-reaching.
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