Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 28Indiana University Press, 2006 |
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Seite 32
... spectators ' attention in the manner , say , of old- fashioned scientific demonstration , spectators do , I think , widely intuit that their own responses to these films are in some sense their object.11 Kubelka called Arnulf Rainer a ...
... spectators ' attention in the manner , say , of old- fashioned scientific demonstration , spectators do , I think , widely intuit that their own responses to these films are in some sense their object.11 Kubelka called Arnulf Rainer a ...
Seite 42
... spectators ' senses than any of the others . The same halting , forward - reverse- forward movement is there , charging every gesture with an over- whelming sexual energy , but in this film , an entirely different kind of movement is ...
... spectators ' senses than any of the others . The same halting , forward - reverse- forward movement is there , charging every gesture with an over- whelming sexual energy , but in this film , an entirely different kind of movement is ...
Seite 85
... spectators rather than internalized as a property of the [ one ] reader . In a sense , we ( readers of Bungakuron ) become the reader of the spectator's emo- tions . Though we are never sure who or what , in the final deter- mination ...
... spectators rather than internalized as a property of the [ one ] reader . In a sense , we ( readers of Bungakuron ) become the reader of the spectator's emo- tions . Though we are never sure who or what , in the final deter- mination ...
Inhalt
Letter from the Editor | 3 |
On Art and War at the Saint Louis Worlds Fair 1904 | 28 |
Evoking Exploration Between Bazin | 53 |
Urheberrecht | |
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