Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 28Indiana University Press, 2006 |
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Seite 106
... begins with a black screen , created by a hand placed over the camera lens . This shot is followed by a quick , in- camera cut . A man with his back to the camera occupies the bulk of the image , and at his right we see a white statue ...
... begins with a black screen , created by a hand placed over the camera lens . This shot is followed by a quick , in- camera cut . A man with his back to the camera occupies the bulk of the image , and at his right we see a white statue ...
Seite 107
... begins a protracted , almost imperceptible zoom out from the fixed still life composi- tion . It gradually reveals the people seated at the table . Warhol finally settles on a medium shot of the entire table and the six guests seated ...
... begins a protracted , almost imperceptible zoom out from the fixed still life composi- tion . It gradually reveals the people seated at the table . Warhol finally settles on a medium shot of the entire table and the six guests seated ...
Seite 205
... begin with such representationalist divisions . Instead , it begins with finitude and finite existence : " Finitude will become the very principle of the subject's subjectivity . It is because there is a finite existence- Dasein - that ...
... begin with such representationalist divisions . Instead , it begins with finitude and finite existence : " Finitude will become the very principle of the subject's subjectivity . It is because there is a finite existence- Dasein - that ...
Inhalt
Letter from the Editor | 3 |
On Art and War at the Saint Louis Worlds Fair 1904 | 28 |
Evoking Exploration Between Bazin | 53 |
Urheberrecht | |
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