Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 28Indiana University Press, 2006 |
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Seite 143
... argue that the associations of violence and iconoclasm that critics fortify by framing Nakagami's life and work in terms of ... argues that far from breaking , the treatment of received tradition and cultural objects ( e.g. photographs ...
... argue that the associations of violence and iconoclasm that critics fortify by framing Nakagami's life and work in terms of ... argues that far from breaking , the treatment of received tradition and cultural objects ( e.g. photographs ...
Seite 94
... argue that " to wash blood with blood " is a perfectly fitting metaphor for Bun- gakuron at least perfectly ... argues that Sōseki saw the rise of nationalism in Meiji modernity as a destructive force on Japanese cul- ture and ...
... argue that " to wash blood with blood " is a perfectly fitting metaphor for Bun- gakuron at least perfectly ... argues that Sōseki saw the rise of nationalism in Meiji modernity as a destructive force on Japanese cul- ture and ...
Seite 228
... argues that the replacement of the minority worker with the powerful woman is a form of ventriloquism that cinematically embodies anxieties of both race and gender in the American work- place ; these films elliptically address race by ...
... argues that the replacement of the minority worker with the powerful woman is a form of ventriloquism that cinematically embodies anxieties of both race and gender in the American work- place ; these films elliptically address race by ...
Inhalt
Letter from the Editor | 3 |
On Art and War at the Saint Louis Worlds Fair 1904 | 28 |
Evoking Exploration Between Bazin | 53 |
Urheberrecht | |
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