Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1990 |
Im Buch
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Seite 37
... possible that cinema is this unredeemable object , opposed to theatre as Cain to Abel ? Should it not be possible to revolutionize this part of human reality as much as our relations within any other material struc- ture ? As much as ...
... possible that cinema is this unredeemable object , opposed to theatre as Cain to Abel ? Should it not be possible to revolutionize this part of human reality as much as our relations within any other material struc- ture ? As much as ...
Seite 60
... possible . Or , to put this in a slightly different way , the relation between production and reception is performed , presented as a fabrication . Critical or theoretical reception falls as well within the set of conditions determined ...
... possible . Or , to put this in a slightly different way , the relation between production and reception is performed , presented as a fabrication . Critical or theoretical reception falls as well within the set of conditions determined ...
Seite 125
... possible the accumulation of capital , it might perhaps be said that the methods for administering the accumulation of men made possible a political take - off in relation to the tradition- al , ritual , costly , violent forms of power ...
... possible the accumulation of capital , it might perhaps be said that the methods for administering the accumulation of men made possible a political take - off in relation to the tradition- al , ritual , costly , violent forms of power ...
Inhalt
FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
On Jazz | 70 |
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York