Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1990 |
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Seite 117
... narrative closure . But what about a piece that mixes up these two mechanisms of desire and dread , when clinging to hope spells unstable illusion and certainty comes only with accepting dread ? - To be sure , this crossing of affective ...
... narrative closure . But what about a piece that mixes up these two mechanisms of desire and dread , when clinging to hope spells unstable illusion and certainty comes only with accepting dread ? - To be sure , this crossing of affective ...
Seite 122
... narrative . That original story has informed our culture ever since . Retelling it from Eve's point of view quietly eliminates the pathos , the lethal mixture of desire , dread , and violence that compels narrative structure . When I ...
... narrative . That original story has informed our culture ever since . Retelling it from Eve's point of view quietly eliminates the pathos , the lethal mixture of desire , dread , and violence that compels narrative structure . When I ...
Seite 96
... narrative , but does not depend on narrative for its revelations ; it delights in the literalness of the images it produces , but continues to combat that literalness . The resistance to both the narrative and visual hold on ...
... narrative , but does not depend on narrative for its revelations ; it delights in the literalness of the images it produces , but continues to combat that literalness . The resistance to both the narrative and visual hold on ...
Inhalt
FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
On Jazz | 70 |
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York