Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1990 |
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Seite 32
... live in a world where there are things as well as people . Trees , stones , water , everything is expressive . I see this situation in which I impermanently live as a complex interpenetration of centers moving out in all direc- tions ...
... live in a world where there are things as well as people . Trees , stones , water , everything is expressive . I see this situation in which I impermanently live as a complex interpenetration of centers moving out in all direc- tions ...
Seite 127
... live performance , which incorporated visuals . The latter was recorded in a studio specifically for audio release , and it is much tighter musically since sound is its only available parameter . The piece lasts three minutes longer in ...
... live performance , which incorporated visuals . The latter was recorded in a studio specifically for audio release , and it is much tighter musically since sound is its only available parameter . The piece lasts three minutes longer in ...
Seite 59
... live or is it Memorex ?, " Anderson confronts us with precisely these difficul- ties . From within the performance conventions of “ popular ” music , to sing or speak as a living doll is to violate the code of compulsory sincerity and ...
... live or is it Memorex ?, " Anderson confronts us with precisely these difficul- ties . From within the performance conventions of “ popular ” music , to sing or speak as a living doll is to violate the code of compulsory sincerity and ...
Inhalt
FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
On Jazz | 70 |
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