Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1990 |
Im Buch
Ergebnisse 1-3 von 37
Seite 47
... function may be understood as a symbol of a social fact ; the form is dominated by the function and not by an autonomous formal law . It seems to have acknowledged itself as dance music . But at the same time it seems to be ardently ...
... function may be understood as a symbol of a social fact ; the form is dominated by the function and not by an autonomous formal law . It seems to have acknowledged itself as dance music . But at the same time it seems to be ardently ...
Seite 77
... function of cadence , but instead lets go of the last trace of communication between the chords which were the hallmark of the later chromatics , so that the results of the chromatic interaction now are released from any function . In ...
... function of cadence , but instead lets go of the last trace of communication between the chords which were the hallmark of the later chromatics , so that the results of the chromatic interaction now are released from any function . In ...
Seite 71
... function is an extrinsic catalyzing of existential affects . Ritornellos can find substance in rhythmic and plastic ... function : f ( den ) , corresponding to the relations between the form of the Content and the Referent ; 2 ) a ...
... function is an extrinsic catalyzing of existential affects . Ritornellos can find substance in rhythmic and plastic ... function : f ( den ) , corresponding to the relations between the form of the Content and the Referent ; 2 ) a ...
Inhalt
FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
On Jazz | 70 |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York