Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1990 |
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Seite 50
... effect than a live orchestra . It is , however , characteristic for jazz as a form of interference that its differentiated elements can be dispensed with without its being neutralized ( aufgehoben ) or ceasing to be recognizable as jazz ...
... effect than a live orchestra . It is , however , characteristic for jazz as a form of interference that its differentiated elements can be dispensed with without its being neutralized ( aufgehoben ) or ceasing to be recognizable as jazz ...
Seite 52
... effect . Further analysis may then stumble on the " irrational " moments , onto the question of why , in the case of two pieces which are formally exactly alike and otherwise equivalent , one takes off and the other does not . But ...
... effect . Further analysis may then stumble on the " irrational " moments , onto the question of why , in the case of two pieces which are formally exactly alike and otherwise equivalent , one takes off and the other does not . But ...
Seite 80
... effect , " or Brecht's “ alienation- effect " that provokes a potentially critical response from an audience , a heightened presence of mind , in Benjamin's terms . Ideally , an audience forced to reevaluate its habits in receiving ...
... effect , " or Brecht's “ alienation- effect " that provokes a potentially critical response from an audience , a heightened presence of mind , in Benjamin's terms . Ideally , an audience forced to reevaluate its habits in receiving ...
Inhalt
FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
On Jazz | 70 |
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