Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1990 |
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Seite 19
... construction of jazz as an avant - garde signifier than his ally and sometime col- laborator , Jean Cocteau , who without much musical knowledge managed to turn his consumption of jazz into the well - recog- nized emblem of his own ...
... construction of jazz as an avant - garde signifier than his ally and sometime col- laborator , Jean Cocteau , who without much musical knowledge managed to turn his consumption of jazz into the well - recog- nized emblem of his own ...
Seite 83
... construction of everyday experience and the conditions we inherit . " 16 Meaghan Morris notes , how- ever , the tendency of recent work in cultural studies to celebrate simple pluralism , merely the existence of complex contradic- tions ...
... construction of everyday experience and the conditions we inherit . " 16 Meaghan Morris notes , how- ever , the tendency of recent work in cultural studies to celebrate simple pluralism , merely the existence of complex contradic- tions ...
Seite 142
... construction is thus to be developed not by accepting the individual , the sexual individual , as point of departure ( social construction " of the individual " ) but rather by examining the reality of social sexuality . " The personal ...
... construction is thus to be developed not by accepting the individual , the sexual individual , as point of departure ( social construction " of the individual " ) but rather by examining the reality of social sexuality . " The personal ...
Inhalt
FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
On Jazz | 70 |
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York