a friend of mine, from the highlands, one of the politest men in the world; but that's a secret."

We waited some time for Mrs. Tibbs' arrival, during which interval I had a full opportunity of surveying the chamber and all its furniture; which consisted of four chairs with old wrought bottoms, that he assured me were his wife's embroidery; a square table that had been once japanned, a cradle in one corner, a lumbering cabinet in the other; a broken shepherdess, and a mandarin without a head, were stuck over the chimney; and round the walls several paltry, unframed pictures, which, he observed, were all his own drawing. "What do you think, sir, of that head in a corner, done in the manner of Grisoni? There's the true keeping in it; it's my own face, and though there happens to be no likeness, a countess offered me an hundred for its fellow. I refused her, for, hang it, that would be mechanical, you know."

The wife at last made her appearance, at once a slattern and a coquette; much emaciated, but still carrying the remains of beauty. She made twenty apologies for being seen in such odious dishabille, but hoped to be excused, as she had stayed out all night at the gardens with the countess, who was excessively fond of the horns. "And, indeed, my dear," added she, turning to her husband, "his lordship drank your health in a bumper." "Poor Jack," cries he, "a dear good-natured creature, I know he loves me; but I hope, my dear, you have given orders for dinner; you need make no great preparations neither, there are but three of us, something elegant, and little will do; a turbot, an ortolan, or a—” "Or what do you think, my dear," interrupts the wife, "of a nice pretty bit of ox-cheek, piping hot, and dressed with a little of my own sauce."-"The very thing," replies he, "it will eat best with some smart bottled beer: but be sure to let's have the sauce his grace was so fond of. I hate your

immense loads of meat, that is country all over; extreme disgusting to those who are in the least acquainted with high life."

By this time my curiosity began to abate, and my appetite to increase; the company of fools may at first make us smile, but at last never fails of rendering us melancholy; I therefore pretended to recollect a prior engagement, and after having shown my respect to the house, according to the fashion of the English, by giving the old servant a piece of money at the door, I took my leave; Mr. Tibbs assuring me that dinner, if I stayed, would be ready at least in less than two hours.

Churchill devoted himself principally to satirical attacks upon actors and the stage as a whole. His Rosciad created quite a panic among the disciples of Thespis, even the mighty Garrick courting this terrible censor morum. His own morals were but indifferent.

SOME of my friends (for friends I must suppose

All, who, not daring to appear my foes,

Feign great good-will, and not more full of spite
Than full of craft, under false colours fight)
Some of my friends (so lavishly I print)
As more in sorrow than in anger, hint
(Tho' that indeed will scarce admit a doubt)
That I shall run my stock of genius out,
My no great stock, and, publishing so fast,
Must needs become a bankrupt at the last.
Recover'd from the vanity of youth,

I feel, alas! this melancholy truth,

Thanks to each cordial, each advising friend,
And am, if not too late, resolv'd to mend,
Resolv'd to give some respite to my pen,
Apply myself once more to books and men,
View what is present, what is past review,
And my old stock exhausted, lay in new.

For twice six moons (let winds, turn'd porters, bear
This oath to Heav'n), for twice six moons, I swear,
No Muse shall tempt me with her siren lay,
Nor draw me from Improvement's thorny way;
Verse I abjure, nor will forgive that friend,
Who in my hearing shall a rhyme commend.
It cannot be-Whether I will, or no,

Such as they are, my thoughts in measure flow.
Convinc'd, determin'd, I in prose begin,

But ere I write one sentence, verse creeps in,
And taints me thro' and thro': by this good light,
In verse I talk by day, I dream by night;
If now and then I curse, my curses chime,
Nor can I pray, unless I pray in rhyme,
E'en now I err, in spite of common-sense,
And my confession doubles my offence.
Here is no lie, no gall, no art, no force;
Mean are the words, and such as come of course,
The subject not less simple than the lay;
A plain, unlabour'd Journey of a day.

Far from me now be ev'ry tuneful Maid,
I neither ask, nor can receive their aid.
Pegasus turn'd into a common hack,
Alone I jog, and keep the beaten track,
Nor would I have the Sisters of the Hill
Behold their bard in such a dishabille.

Absent, but only absent for a time,

Let them caress some dearer son of rhyme;
Let them, as far as decency permits,

Without suspicion, play the fool with wits,
'Gainst fools be guarded; 't is a certain rule,
Wits are false things, there's danger in a fool.

Let them, tho' modest, Gray more modest woo;
Let them with Mason bleat, and bray, and coo;
Let them with Franklin, proud of some small Greek,
Make Sophocles disguis'd, in English speak;
Let them with Glover o'er Medea doze;
Let them with Dodsley wail Cleone's woes,
Whilst he, fine feeling creature, all in tears,
Melts, as they melt, and weeps with weeping peers;
Let them with simple Whitehead, taught to creep
Silent and soft, lay Fontenelle asleep;1

Let them with Browne contrive, to vulgar trick,
To cure the dead, and make the living sick;2
Let them in charity to Murphy give

Some old French piece, that he may steal and live;
Let them with antic Foote subscriptions get,
And advertise a Summer-house of Wit.

Thus, or in any better way they please,

With these great men, or with great men like these, Let them their appetite for laughter feed;

I on my Journey all alone proceed.

If fashionable grown, and fond of pow'r,
With hum'rous Scots let them disport their hour:
Let them dance, fairy-like, round Ossian's tomb;
Let them forge lies, and histories for Hume;
Let them with Home, the very prince of verse,
Make something like a Tragedy in Erse;
Under dark Allegory's flimsy veil

Let them with Ogilvie spin out a tale

Of rueful length; Let them plain things obscure,
Debase what's truly rich, and what is poor

1 See The School for Lovers, by Mr. Whitehead, taken from Fontenelle. 9 See The Cure of Saul, by Dr. Browne.

Make poorer still by jargon most uncouth;
With ev'ry pert, prim prettiness of youth
Born of false Taste, with Fancy (like a child
Not knowing what it cries for) running wild,
With bloated style, by affectation taught,
With much false colouring, and little thought,
With phrases strange, and dialect decreed
By reason never to have pass'd the Tweed,
With words which Nature meant each other's foe,
Forc'd to compound whether they will or no;
With such materials let them, if they will,
To prove at once their pleasantry and skill,
Build up a bard to war 'gainst Common-Sense,
By way of compliment to Providence;

Let them with Armstrong, taking leave of Sense,
Read musty lectures on Benevolence,

Or con the pages of his gaping Day,
Where all his former fame was thrown away,
Where all but barren labour was forgot,
And the vain stiffness of a letter'd Scot;
Let them with Armstrong pass the term of light,
But not one hour of darkness; when the night
Suspends this mortal coil, when Memory wakes,
When for our past misdoings Conscience takes
A deep revenge, when by Reflection led,

She draws his curtain, and looks Comfort dead,
Let ev'ry Muse be gone; in vain he turns
And tries to pray for sleep; an Etna burns,
A more than Etna in his coward breast,
And Guilt, with vengeance arm'd, forbids him rest:
Tho' soft as plumage from young zephyr's wing,
His couch seems hard, and no relief can bring.
Ingratitude hath planted daggers there,
No good man can deserve, no brave man bear.
Thus, or in any better way they please,