Fear and Misery of the Third ReichA&C Black, 30.12.2015 - 144 Seiten Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. |
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... German audiences and professional performers. But by the middle of the decade the political thrust of Brecht's theatre had begun to alter. Fear and Misery of the Third Reich and the Spanish Civil War play Señora Carrar's Rifles, both of ...
... German audiences and professional performers. But by the middle of the decade the political thrust of Brecht's theatre had begun to alter. Fear and Misery of the Third Reich and the Spanish Civil War play Señora Carrar's Rifles, both of ...
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... German by Mikhail Koltsov under his Jurgaz imprint. Called Das Wort, while undoubtedly on the Comintern line, it differed from that body's magazine Internationale Literatur by the fact that Feuchtwanger and Brecht were both living ...
... German by Mikhail Koltsov under his Jurgaz imprint. Called Das Wort, while undoubtedly on the Comintern line, it differed from that body's magazine Internationale Literatur by the fact that Feuchtwanger and Brecht were both living ...
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... German emigration by Georg Lukács's critical articles, with their schoolmasterly dismissal of reportage, montage and other departures from nineteenthcentury naturalism. Partly it was due to the dissolution on security grounds of such ...
... German emigration by Georg Lukács's critical articles, with their schoolmasterly dismissal of reportage, montage and other departures from nineteenthcentury naturalism. Partly it was due to the dissolution on security grounds of such ...
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... German People Under the Nazi Regime'; these and the Spain play would fill an evening. Minimal cast. As you see, in this way I too am turning to smallscale forms. In the event the Carrar evening was to be filled out by some Brecht songs ...
... German People Under the Nazi Regime'; these and the Spain play would fill an evening. Minimal cast. As you see, in this way I too am turning to smallscale forms. In the event the Carrar evening was to be filled out by some Brecht songs ...
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... German marchpast') and the introductory verses to each scene were set to music by Paul Dessau; this setting, which has apparently not survived, represents Dessau's first involvement with Brecht. The simple scenery was by Carrar's ...
... German marchpast') and the introductory verses to each scene were set to music by Paul Dessau; this setting, which has apparently not survived, represents Dessau's first involvement with Brecht. The simple scenery was by Carrar's ...
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Häufige Begriffe und Wortgruppen
1945 production anyway Arndt beer Berthold Viertel Bertolt Brecht Brecht Collected Plays BROTHER BRÜHL butcher’s can’t Carrar CHAUFFEUR concentration camp COOK course d’you mean DAIRYWOMAN DAUGHTER DIEVENBACH doctor Dudow DYING Eric Bentley FATHER Fear and Misery fellow Führer gasmask German give goes Goll Häberle Heil Hitler Helene Weigel honour HUSBAND Included in 99 INSPECTOR JEHOVAH’S WITNESS Jewish John Willett keep LOHMANN look MAIDSERVANT MalikVerlag marchpast Miehl MOTHER Nazi NEIGHBOUR never OLD WOMAN OLDER WORKER PASTOR Pause Peatbog soldiers PETITBOURGEOIS Piscator play’s production and PLMR PROSECUTOR RELEASED round scenes SCHARFÜHRER Schünt and Gaunitzer SECOND BOY SECOND WOMAN SENIOR JUDGE Steve Giles suppose talk Tallinger tell theatre Theo there’s they’re thing Third Reich Tom Kuhn twenty marks usher verse Völkischer Beobachter waggon What’s who’s WIFE Winter Aid won’t workingclass you’re YOUNG WORKER