Fear and Misery of the Third ReichA&C Black, 30.12.2015 - 144 Seiten Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. |
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... never materialised, but the idea also appealed to Brecht, who had already started writing poems based on reallife reports from the new Germany – some of them for the antiNazi 'Freedom Radio'. Now he started two years of intermittently ...
... never materialised, but the idea also appealed to Brecht, who had already started writing poems based on reallife reports from the new Germany – some of them for the antiNazi 'Freedom Radio'. Now he started two years of intermittently ...
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... never occurred. It begins with the visit of Brecht's American friend Ferdinand Reyher some five months after the Paris première, when the former, now wholly immersed in that profoundly different play Life of Galileo, met him in ...
... never occurred. It begins with the visit of Brecht's American friend Ferdinand Reyher some five months after the Paris première, when the former, now wholly immersed in that profoundly different play Life of Galileo, met him in ...
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... never produced, possibly because Brecht failed to sign the contract which Reyher sent him. Once war had broken out in Europe nothing more was heard of this scheme, and the play then lay on the shelf until Brecht and his family arrived ...
... never produced, possibly because Brecht failed to sign the contract which Reyher sent him. Once war had broken out in Europe nothing more was heard of this scheme, and the play then lay on the shelf until Brecht and his family arrived ...
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... never released, on the grounds (says Jay Leyda) that its depiction of the Germans was not savage enough. Brecht for his part straightway began once again trying to promote the play in the United States. To H.R. Hays, his first wholly ...
... never released, on the grounds (says Jay Leyda) that its depiction of the Germans was not savage enough. Brecht for his part straightway began once again trying to promote the play in the United States. To H.R. Hays, his first wholly ...
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... never established themselves on the Englishlanguage stage and were not to do so now. Three weeks before the opening Brecht himself arrived from California, immediately rejected the introductory scene which Piscator wanted to add – a ...
... never established themselves on the Englishlanguage stage and were not to do so now. Three weeks before the opening Brecht himself arrived from California, immediately rejected the introductory scene which Piscator wanted to add – a ...
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Häufige Begriffe und Wortgruppen
1945 production anyway Arndt beer Berthold Viertel Bertolt Brecht Brecht Collected Plays BROTHER BRÜHL butcher’s can’t Carrar CHAUFFEUR concentration camp COOK course d’you mean DAIRYWOMAN DAUGHTER DIEVENBACH doctor Dudow DYING Eric Bentley FATHER Fear and Misery fellow Führer gasmask German give goes Goll Häberle Heil Hitler Helene Weigel honour HUSBAND Included in 99 INSPECTOR JEHOVAH’S WITNESS Jewish John Willett keep LOHMANN look MAIDSERVANT MalikVerlag marchpast Miehl MOTHER Nazi NEIGHBOUR never OLD WOMAN OLDER WORKER PASTOR Pause Peatbog soldiers PETITBOURGEOIS Piscator play’s production and PLMR PROSECUTOR RELEASED round scenes SCHARFÜHRER Schünt and Gaunitzer SECOND BOY SECOND WOMAN SENIOR JUDGE Steve Giles suppose talk Tallinger tell theatre Theo there’s they’re thing Third Reich Tom Kuhn twenty marks usher verse Völkischer Beobachter waggon What’s who’s WIFE Winter Aid won’t workingclass you’re YOUNG WORKER