Fear and Misery of the Third Reich
A&C Black, 30.12.2015 - 144 Seiten
Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort.
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Fear and Misery of the Third Reich and the Spanish Civil War play Señora
Carrar's Rifles, both of which were premièred in Paris with the Bulgarian Slatan
Dudow as director and Helene Weigel as principal actress, were intended for
Among the Paris theatre groups to be activated as a result was the émigré
cabaret called Die Laterne, which was now strengthened by the arrival of Slatan
Dudow, the Bulgarian director of Kuhle Wampe and The Mother, whom Brecht
Thanks to this combination of factors, Carrar was a success, and Dudow's stock
went up. Thus it was Dudow to whom Brecht communicated the start of work on
Fear and Misery, even before the Carrar rehearsals had begun. 'At present,' he ...
... of looking over one's shoulder, of being frightened and so on: gestics under
dictatorship. . . . the montage which he so decries originated in dudow's letters
asking for something for the little proletarian company in paris. it shows how it is
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LibraryThing ReviewNutzerbericht - Devil_llama - LibraryThing
More a series of vignettes than an actual play with a beginning, middle, and end. Characters appear, and disappear again after sometimes as little as a half page of dialogue. Brecht was cataloging ... Vollständige Rezension lesen
NOTES AND VARIANTS
Texts by Brecht