Fear and Misery of the Third ReichA&C Black, 30.12.2015 - 144 Seiten Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. |
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... Dudow as director and Helene Weigel as principal actress, were intended for untrained performers and makeshift theatres; and the same applied also to the two minor satires on Scandinavian neutrality Dansen and How Much Is Your Iron ...
... Dudow as director and Helene Weigel as principal actress, were intended for untrained performers and makeshift theatres; and the same applied also to the two minor satires on Scandinavian neutrality Dansen and How Much Is Your Iron ...
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... Dudow, the Bulgarian director of Kuhle Wampe and The Mother, whom Brecht had more than once tried to help find permanent work. With Hitler and Mussolini soon giving signs of their intention to intervene in the Spanish war, Dudow wrote ...
... Dudow, the Bulgarian director of Kuhle Wampe and The Mother, whom Brecht had more than once tried to help find permanent work. With Hitler and Mussolini soon giving signs of their intention to intervene in the Spanish war, Dudow wrote ...
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... Dudow's stock went up. Thus it was Dudow to whom Brecht communicated the start of work on Fear and Misery, even before the Carrar rehearsals had begun. 'At present,' he told him in July 1937, I'm writing a series of little (tenminute) ...
... Dudow's stock went up. Thus it was Dudow to whom Brecht communicated the start of work on Fear and Misery, even before the Carrar rehearsals had begun. 'At present,' he told him in July 1937, I'm writing a series of little (tenminute) ...
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... Dudow's was rather that the play's cumulative effect was too depressing, to which Brecht replied that 'it's not for us to preach the need to fight back, we show the fight going on. The final “no” seems enough to me.' As staged in the ...
... Dudow's was rather that the play's cumulative effect was too depressing, to which Brecht replied that 'it's not for us to preach the need to fight back, we show the fight going on. The final “no” seems enough to me.' As staged in the ...
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... dudow's letters asking for something for the little proletarian company in paris. it shows how it is the proletarian exiled theatre that keeps theatre going, at a time when in moscow the former leader of a berlin agitprop group, maxim ...
... dudow's letters asking for something for the little proletarian company in paris. it shows how it is the proletarian exiled theatre that keeps theatre going, at a time when in moscow the former leader of a berlin agitprop group, maxim ...
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Häufige Begriffe und Wortgruppen
1945 production anyway Arndt beer Berthold Viertel Bertolt Brecht Brecht Collected Plays BROTHER BRÜHL butcher’s can’t Carrar CHAUFFEUR concentration camp COOK course d’you mean DAIRYWOMAN DAUGHTER DIEVENBACH doctor Dudow DYING Eric Bentley FATHER Fear and Misery fellow Führer gasmask German give goes Goll Häberle Heil Hitler Helene Weigel honour HUSBAND Included in 99 INSPECTOR JEHOVAH’S WITNESS Jewish John Willett keep LOHMANN look MAIDSERVANT MalikVerlag marchpast Miehl MOTHER Nazi NEIGHBOUR never OLD WOMAN OLDER WORKER PASTOR Pause Peatbog soldiers PETITBOURGEOIS Piscator play’s production and PLMR PROSECUTOR RELEASED round scenes SCHARFÜHRER Schünt and Gaunitzer SECOND BOY SECOND WOMAN SENIOR JUDGE Steve Giles suppose talk Tallinger tell theatre Theo there’s they’re thing Third Reich Tom Kuhn twenty marks usher verse Völkischer Beobachter waggon What’s who’s WIFE Winter Aid won’t workingclass you’re YOUNG WORKER