Fear and Misery of the Third ReichA&C Black, 30.12.2015 - 144 Seiten Also known as The Private Life of the Master Race, this is a sequence of twenty-four realistic sketches showing how "ordinary" life under the Nazis was subtly permeated by suspicion and anxiety. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. |
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... Carrar's Rifles, Dansen, How Much Is Your Iron?, The Trial of Lucullus) Brecht Collected Plays: Five (Life of Galileo, Mother Courage and Her Children) Brecht Collected Plays: Six (The Good Person of Szechwan, The Resistible Rise of ...
... Carrar's Rifles, Dansen, How Much Is Your Iron?, The Trial of Lucullus) Brecht Collected Plays: Five (Life of Galileo, Mother Courage and Her Children) Brecht Collected Plays: Six (The Good Person of Szechwan, The Resistible Rise of ...
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... Carrar's Rifles, both of which were premièred in Paris with the Bulgarian Slatan Dudow as director and Helene Weigel as principal actress, were intended for untrained performers and makeshift theatres; and the same applied also to the ...
... Carrar's Rifles, both of which were premièred in Paris with the Bulgarian Slatan Dudow as director and Helene Weigel as principal actress, were intended for untrained performers and makeshift theatres; and the same applied also to the ...
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... Carrar's Rifles. It was agreed that Helene Weigel would come from Denmark to act with the group, and Brecht also wanted the production coordinated with that of The Threepenny Opera, which Aufricht was once again planning to present in ...
... Carrar's Rifles. It was agreed that Helene Weigel would come from Denmark to act with the group, and Brecht also wanted the production coordinated with that of The Threepenny Opera, which Aufricht was once again planning to present in ...
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... Carrar was a success, and Dudow's stock went up. Thus it was Dudow to whom Brecht communicated the start of work on Fear and Misery, even before the Carrar rehearsals had begun. 'At present,' he told him in July 1937, I'm writing a ...
... Carrar was a success, and Dudow's stock went up. Thus it was Dudow to whom Brecht communicated the start of work on Fear and Misery, even before the Carrar rehearsals had begun. 'At present,' he told him in July 1937, I'm writing a ...
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... Carrar's designer Heinz Lohmar, this time with costumes by Sylta Busse, who had previously been with one of the German theatre groups in the USSR. Brecht himself received no royalties, nor does the play's run appear to have exceeded the ...
... Carrar's designer Heinz Lohmar, this time with costumes by Sylta Busse, who had previously been with one of the German theatre groups in the USSR. Brecht himself received no royalties, nor does the play's run appear to have exceeded the ...
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1945 production anyway Arndt beer Berthold Viertel Bertolt Brecht Brecht Collected Plays BROTHER BRÜHL butcher’s can’t Carrar CHAUFFEUR concentration camp COOK course d’you mean DAIRYWOMAN DAUGHTER DIEVENBACH doctor Dudow DYING Eric Bentley FATHER Fear and Misery fellow Führer gasmask German give goes Goll Häberle Heil Hitler Helene Weigel honour HUSBAND Included in 99 INSPECTOR JEHOVAH’S WITNESS Jewish John Willett keep LOHMANN look MAIDSERVANT MalikVerlag marchpast Miehl MOTHER Nazi NEIGHBOUR never OLD WOMAN OLDER WORKER PASTOR Pause Peatbog soldiers PETITBOURGEOIS Piscator play’s production and PLMR PROSECUTOR RELEASED round scenes SCHARFÜHRER Schünt and Gaunitzer SECOND BOY SECOND WOMAN SENIOR JUDGE Steve Giles suppose talk Tallinger tell theatre Theo there’s they’re thing Third Reich Tom Kuhn twenty marks usher verse Völkischer Beobachter waggon What’s who’s WIFE Winter Aid won’t workingclass you’re YOUNG WORKER