The Works of Shakespeare: The tempest, 1921At the University Press, 1921 |
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Seite v
... PUNCTUATION THE TEMPEST TO FACE PAGE Xlv xlv lvii I THE COPY USED FOR THE TEMPEST 79 FACSIMILE FROM SIR THOMAS MORE TO FACE PAGE 87 TRANSCRIPT OF THE FACSIMILE 87 NOTES 89 THE STAGE - HISTORY OF THE TEMPEST 109 GLOSSARY 112 THE ...
... PUNCTUATION THE TEMPEST TO FACE PAGE Xlv xlv lvii I THE COPY USED FOR THE TEMPEST 79 FACSIMILE FROM SIR THOMAS MORE TO FACE PAGE 87 TRANSCRIPT OF THE FACSIMILE 87 NOTES 89 THE STAGE - HISTORY OF THE TEMPEST 109 GLOSSARY 112 THE ...
Seite xxix
... Punctuation , 1911 ) , though since developed by Mr Pollard , affects the vitally important question of the stops in the Folio and Quartos , which are now seen to be not the haphazard peppering of igno- rant compositors , as all ...
... Punctuation , 1911 ) , though since developed by Mr Pollard , affects the vitally important question of the stops in the Folio and Quartos , which are now seen to be not the haphazard peppering of igno- rant compositors , as all ...
Seite xxxvii
... as they are alongside of a continuous text , to show how much or how little such breaks are in keeping with the intentions of Shakespeare . 4. Punctuation and Stage - directions . The old texts TEXTUAL INTRODUCTION xxxvii.
... as they are alongside of a continuous text , to show how much or how little such breaks are in keeping with the intentions of Shakespeare . 4. Punctuation and Stage - directions . The old texts TEXTUAL INTRODUCTION xxxvii.
Seite xxxviii
William Shakespeare Arthur Quiller-Couch, John Dover Wilson. 4. Punctuation and Stage - directions . The old texts were prompt - copy , more akin to operatic score than to modern literary drama . This explains the ungrammatical punctuation ...
William Shakespeare Arthur Quiller-Couch, John Dover Wilson. 4. Punctuation and Stage - directions . The old texts were prompt - copy , more akin to operatic score than to modern literary drama . This explains the ungrammatical punctuation ...
Seite xlv
... its existence in previous form ( or forms ) we attempt to show on pp . 79-85 of this volume . i It is pleasant and certainly not impossible to believe THE TEMPEST: INTRODUCTION A NOTE ON PUNCTUATION THE TEMPEST TO FACE PAGE I.
... its existence in previous form ( or forms ) we attempt to show on pp . 79-85 of this volume . i It is pleasant and certainly not impossible to believe THE TEMPEST: INTRODUCTION A NOTE ON PUNCTUATION THE TEMPEST TO FACE PAGE I.
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Adrian Alonso ANGELES THE LIBRARY Antonio Ariel awake Bad Quarto Ben Jonson bibliographical Boatswain bottle brave broken lines Caliban CALIFORN cave Ceres charms comma compositor copy daughter doth dramatic drowned Duke of Milan dukedom edition editor Elizabeth of Bohemia emendation Enter eyes father Ferdinand Folio follow foul garments give Gonzalo grace hand hath heavens hither honour i'th island Jonson Juno king king's Lear lord LOS ANGELES Love's Labour's Lost manuscript master Miranda misprint monster Naples o'er o'th old texts original passage play prince Princess printed prithee prompt-copy prose Prospero punctuation Quartos revision scene Sebastian Shake Shakespeare Shakespeare wrote Shakespearian Shakespearian spelling ship sleep speak speare's speech spirit stage-directions Stephano strange suggests sword Sycorax tell Tempest THE-LIBRARY thee thine thing thou art thou hast Trinculo UNIVERSITY verse Winter's Tale word