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" The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails. "
Dictionary of Quotations in Communications - Seite 17
herausgegeben von - 1997 - 315 Seiten
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A Portrait of the Artist as a Young Man

James Joyce - 1916 - 299 Seiten
...from the human imagination. The mystery of esthetic like that of material creation is accomplished. The artist, like the God of the creation, remains...of existence, indifferent, paring his fingernails. — — Trying to refine them also out of existence — said Lynch. A fine rain began to fall from...
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A Portrait of the Artist as a Young Man

James Joyce - 1916 - 299 Seiten
...from the human imagination. The mystery of esthetic like that of material creation is accomplished. The artist, like the God of the creation, remains...refined out of existence, indifferent, paring his fingernails.-1— Trying to refine them also out of existence — said Lynch. A fine rain began to...
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James Joyce, a Critical Introduction

Harry Levin - 1941 - 240 Seiten
...from the human imagination. The mystery of esthetic like that of material creation is accomplished. The artist, like the God of the creation, remains...of existence, indifferent, paring his fingernails. This progress you will see easily in the succession of Joyce's works. The cry becomes a cadence in...
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Juan Goytisolo and the Poetics of Contagion: The Evolution of a Radical ...

Stanley Black - 2001 - 261 Seiten
...mystery of the esthetic, like that of material creation, is accomplished. The artist, like the God of creation, remains within or behind or beyond or above...of existence, indifferent, paring his fingernails.' The attitude of indifference of Goytisolo's 'hero'—'el espacio material de su desaguisado había...
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After Ontology: Literary Theory and Modernist Poetics

William D. Melaney - 2001 - 260 Seiten
...interpretations of the Realist author: "The artist, like the God of creation, remains within or behind or above his handiwork, invisible, refined out of...fingernails." James Joyce, A Portrait of the Artist as a Young Man (New York: Viking Press, 1965), p. 215. 76. See Roman Jacobson, "Two Aspects of Language...
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"Das erlesene Selbst" in der autobiographischen Schrift: zu Politik und ...

Antje Kley - 2001 - 410 Seiten
...widersetzt er sich, so Jeffrey Berman, "the Joycean injunction of the impersonal Godlike artist who 'remains within or behind or beyond or above his handiwork, invisible, refined out of existence'". 5 Roth tut dies, jedoch ohne vermeintlich unmittelbar autobiographische Entsprechungen an die Stelle...
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The Routledge History of Literature in English: Britain and Ireland

Ronald Carter, John McRae - 2001 - 570 Seiten
...not simply give ditect expression to his reelings. He compared the artist to the God of cteanon who 'remains within or behind or beyond or above his handiwork, invisible, refined out of exisrence, indifferent, paring his fingernails'. April 26 Mother is putring my new secondhand clothes...
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Modern Poetry and the Idea of Language: A Critical and Historical Study

Gerald L. Bruns - 2001 - 300 Seiten
...of impersonality which brackets the artist, making of him a god who dwells, in the now famous words, "within or behind or beyond or above his handiwork, invisible, refined out of existence, paring his fingernails." The parody, in effect, calls the artist back into existence — for to Beckett...
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Artistic Detachment in Japan and the West: Psychic Distance in Comparative ...

Steve Odin - 2001 - 304 Seiten
...petsonality of the artist . . . refines itself out of exisrence, impetsonalises itself, so to speak. The artist, like the God of the creation, remains within or behind ot beyond or above his handiwork, invisible, refined out of exisrence, indifferent, paring his fingernails....
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Selected Writings of John V. Kelleher on Ireland a

Kelleher, John V - 2002
...withered soul, employs a vocabulary already saturated with meaning from repeated use. When he says The artist, like the God of the creation, remains...of existence, indifferent, paring his fingernails, we may note that fingernails have been pared before — and will be pared again, as in Ulysses, where...
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