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Geoffrey Hartman found visual images of the Holocaust more ethically problematic than literary representations ... the problem of representing the Holocaust visually with the risk of exciting desire attendant on any visual image .
Geoffrey Hartman found visual images of the Holocaust more ethically problematic than literary representations ... the problem of representing the Holocaust visually with the risk of exciting desire attendant on any visual image .
Seite 71
Clay and Vincent boast not only highly contrastive skin ( marked visually by McGehee and Siegel's black and white film ... Only the audience is free from this blindness , propelled into a hyper - awareness of the visual as an insistent ...
Clay and Vincent boast not only highly contrastive skin ( marked visually by McGehee and Siegel's black and white film ... Only the audience is free from this blindness , propelled into a hyper - awareness of the visual as an insistent ...
Seite 89
Drawing on Freud's seemingly uncharacteristic acknowledgment , in The Ego and the Id , that the ego is primarily a bodily ego , she suggests that “ one's apprehension of the self is keyed both to a visual image or constellation of ...
Drawing on Freud's seemingly uncharacteristic acknowledgment , in The Ego and the Id , that the ego is primarily a bodily ego , she suggests that “ one's apprehension of the self is keyed both to a visual image or constellation of ...
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Inhalt
Table of Contents | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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