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Seite 80
Oudart uses the term to describe the certain camera angles ( shot / reverse shot ) that serve to set spectators at ease , to allow them to suture over the unquiet sense that no one ( or some abstract , absent one : cultural discourse ...
Oudart uses the term to describe the certain camera angles ( shot / reverse shot ) that serve to set spectators at ease , to allow them to suture over the unquiet sense that no one ( or some abstract , absent one : cultural discourse ...
Seite 95
Niney : Can you explain your theory of montage at a distance , which is based , not on the bringing together of shots , but on the gap between them ? Pelechian : The originality of this theory lies perhaps in this : a contrario to ...
Niney : Can you explain your theory of montage at a distance , which is based , not on the bringing together of shots , but on the gap between them ? Pelechian : The originality of this theory lies perhaps in this : a contrario to ...
Seite 100
If within a long shot only a detail interests me or if it's necessary to reverse or slow down a shot , I don't hesitate to retouch it with special effects . Cazals and Daniélou : The use of black and white is also a constant of your ...
If within a long shot only a detail interests me or if it's necessary to reverse or slow down a shot , I don't hesitate to retouch it with special effects . Cazals and Daniélou : The use of black and white is also a constant of your ...
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Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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AIDS Akerman's allowed American argues artistic asked assimilation awareness become beginning believe body Brawley Brawley's century Christian cinema claim Clay Clay's collective condition continual critical cultural desire discourse discuss distance dream effect evidence example explain face fact fear film Holocaust horror idea identity idolatry images infection interview Invasion Jewish Jewish art Jews less lives look Louganis Louganis's means memory Michigan montage narrative never Nidre notes notion object original Outrage past Pelechian play politics position possibility present Press question race racial racism reason reference relation represent representation Second Commandment Secrets seems seen sense sexual shot social speak story Studies suggests suture Tawana television theory thing turn understand University victims Vincent visibility visual writes York