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He may dress in Vincent's fine clothes , drive Vincent's expensive car , play golf at Vincent's country club , or use Vincent's box at the opera . But this will not make him Vincent Towers . He can never be Vincent Towers , simply ...
He may dress in Vincent's fine clothes , drive Vincent's expensive car , play golf at Vincent's country club , or use Vincent's box at the opera . But this will not make him Vincent Towers . He can never be Vincent Towers , simply ...
Seite 113
2 A distinction that Leo Braudy makes in Play It Again , Sam is close to the one I make here ( so perhaps this binary is common to the horror genre ) : ... the various versions of Dracula ... flirt with the question of fidelity to the ...
2 A distinction that Leo Braudy makes in Play It Again , Sam is close to the one I make here ( so perhaps this binary is common to the horror genre ) : ... the various versions of Dracula ... flirt with the question of fidelity to the ...
Seite 115
Play It Again , Sam : Retakes on Remakes . Eds . Andrew Horton and Stuart Y. Mcdougal . Berkeley : University of California Press , 1998. 327–334 . Brophy , Philip . “ Horrality , the Textuality of Contemporary Horror Films .
Play It Again , Sam : Retakes on Remakes . Eds . Andrew Horton and Stuart Y. Mcdougal . Berkeley : University of California Press , 1998. 327–334 . Brophy , Philip . “ Horrality , the Textuality of Contemporary Horror Films .
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Inhalt
Table of Contents | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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