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Seite 103
Michael Messmer In postmodern aesthetics , the artwork has been recast as an item in a series of endless remakes : the original and unique work of art has been replaced by a tarnished and overwritten work of culture .
Michael Messmer In postmodern aesthetics , the artwork has been recast as an item in a series of endless remakes : the original and unique work of art has been replaced by a tarnished and overwritten work of culture .
Seite 106
As Philip Brophy writes , “ John Carpenter's graphically “ realistic ' suspense horror ( the 1982 The Thing ) is a world away from Howard Hawks ' B - Grade classic , showing everything that the original only alluded to " ( 10 ) .
As Philip Brophy writes , “ John Carpenter's graphically “ realistic ' suspense horror ( the 1982 The Thing ) is a world away from Howard Hawks ' B - Grade classic , showing everything that the original only alluded to " ( 10 ) .
Seite 107
Invasion , each consist of an original and a remake , the first set details the slow and careful production of uniqueness while the second is devoted to an extensive process of duplication . As for the remakes themselves : Fly is an ...
Invasion , each consist of an original and a remake , the first set details the slow and careful production of uniqueness while the second is devoted to an extensive process of duplication . As for the remakes themselves : Fly is an ...
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Inhalt
Table of Contents | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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