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Michael Messmer In postmodern aesthetics , the artwork has been recast as an item in a series of endless remakes : the original and unique work of art has been replaced by a tarnished and overwritten work of culture .
Michael Messmer In postmodern aesthetics , the artwork has been recast as an item in a series of endless remakes : the original and unique work of art has been replaced by a tarnished and overwritten work of culture .
Seite 106
As Philip Brophy writes , “ John Carpenter's graphically “ realistic ' suspense horror ( the 1982 The Thing ) is a world away from Howard Hawks ' B - Grade classic , showing everything that the original only alluded to " ( 10 ) .
As Philip Brophy writes , “ John Carpenter's graphically “ realistic ' suspense horror ( the 1982 The Thing ) is a world away from Howard Hawks ' B - Grade classic , showing everything that the original only alluded to " ( 10 ) .
Seite 107
Invasion , each consist of an original and a remake , the first set details the slow and careful production of uniqueness while the second is devoted to an extensive process of duplication . As for the remakes themselves : Fly is an ...
Invasion , each consist of an original and a remake , the first set details the slow and careful production of uniqueness while the second is devoted to an extensive process of duplication . As for the remakes themselves : Fly is an ...
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Inhalt
Table of Contents | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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AIDS allowed American argues artistic asked awareness become beginning believe body Brawley Brawley's century Christian cinema claim Clay collective condition continual create critical cultural Descartes desire discourse discuss distance dream effect evidence example face fact fear film Holocaust horror idea identity idolatry images infection interview Invasion issue Jewish Jewish art Jews less lives look Louganis Louganis's means memory Michigan montage narrative never Nidre notes notion object original Outrage past Pelechian play politics position possibility present Press question race racial racism reason reference relation represent representation Second Commandment Secrets seems seen sense sexual shot social speak story Studies suggests suture Tawana television theory thing turn understand University victims Vincent visibility visual writes York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 1 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 2000 |
| Original von | University of California |
| Digitalisiert | 20. Juni 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |