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It is far behind or always in front of all images barely covered by others More luminous , radiant even Old images of evacuation of walking in the snow with packages toward an unknown place , of faces and bodies placed one next to the ...
It is far behind or always in front of all images barely covered by others More luminous , radiant even Old images of evacuation of walking in the snow with packages toward an unknown place , of faces and bodies placed one next to the ...
Seite 92
Montage to absent images . Many people erroneously think that my films are montage films . This is not true . My films are not montage films . Up until now , in world cinema , montage has been considered a regrouping of images placed ...
Montage to absent images . Many people erroneously think that my films are montage films . This is not true . My films are not montage films . Up until now , in world cinema , montage has been considered a regrouping of images placed ...
Seite 100
Pelechian : The archival image is a raw material like any other . I help myself to it , but what's essential is the idea , my initial idea . ... For my montage in counterpoint , I need the right images and it's not always ...
Pelechian : The archival image is a raw material like any other . I help myself to it , but what's essential is the idea , my initial idea . ... For my montage in counterpoint , I need the right images and it's not always ...
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Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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AIDS Akerman's allowed American argues artistic asked assimilation awareness become beginning believe body Brawley Brawley's century Christian cinema claim Clay Clay's collective condition continual critical cultural desire discourse discuss distance dream effect evidence example explain face fact fear film Holocaust horror idea identity idolatry images infection interview Invasion Jewish Jewish art Jews less lives look Louganis Louganis's means memory Michigan montage narrative never Nidre notes notion object original Outrage past Pelechian play politics position possibility present Press question race racial racism reason reference relation represent representation Second Commandment Secrets seems seen sense sexual shot social speak story Studies suggests suture Tawana television theory thing turn understand University victims Vincent visibility visual writes York