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Seite 71
... get caught up in a case of exchanged identities , where the less fortunate one wakes up in his brother's place . ... is free from this blindness , propelled into a hyper - awareness of the visual as an insistent sign of identity .
... get caught up in a case of exchanged identities , where the less fortunate one wakes up in his brother's place . ... is free from this blindness , propelled into a hyper - awareness of the visual as an insistent sign of identity .
Seite 85
Or is Max's notion of identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to " su- ture , " a very different model of ...
Or is Max's notion of identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to " su- ture , " a very different model of ...
Seite 107
The one - to - two relationship works the other way as well : the theme of Invasion of the Body Snatchers is identity ; the theme of The Fly is otherness . While in the first , horror is the ambiguity of identity ...
The one - to - two relationship works the other way as well : the theme of Invasion of the Body Snatchers is identity ; the theme of The Fly is otherness . While in the first , horror is the ambiguity of identity ...
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Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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AIDS Akerman's allowed American argues artistic asked assimilation awareness become beginning believe body Brawley Brawley's century Christian cinema claim Clay Clay's collective condition continual critical cultural desire discourse discuss distance dream effect evidence example explain face fact fear film Holocaust horror idea identity idolatry images infection interview Invasion Jewish Jewish art Jews less lives look Louganis Louganis's means memory Michigan montage narrative never Nidre notes notion object original Outrage past Pelechian play politics position possibility present Press question race racial racism reason reference relation represent representation Second Commandment Secrets seems seen sense sexual shot social speak story Studies suggests suture Tawana television theory thing turn understand University victims Vincent visibility visual writes York