Im Buch
Ergebnisse 1-3 von 27
Seite 85
Or is Max's notion of identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to “ suture , " a very different model of identity ...
Or is Max's notion of identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to “ suture , " a very different model of identity ...
Seite 86
The form most prevalent in the 1970s and early 1980s arose in reaction to the American melting pot ideology , which had celebrated ethnic diversity only as it could be gradually assimilated into mass identity .
The form most prevalent in the 1970s and early 1980s arose in reaction to the American melting pot ideology , which had celebrated ethnic diversity only as it could be gradually assimilated into mass identity .
Seite 107
While in the first , horror is the ambiguity of identity : “ Have you talked to him ? ” Miles asks a patient . “ It's him , it's your uncle Ira . " " He is not . ” " How's he different ? ” “ That's just it , there is no difference you ...
While in the first , horror is the ambiguity of identity : “ Have you talked to him ? ” Miles asks a patient . “ It's him , it's your uncle Ira . " " He is not . ” " How's he different ? ” “ That's just it , there is no difference you ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Table of Contents | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
AIDS allowed American argues artistic asked awareness become beginning believe body Brawley Brawley's century Christian cinema claim Clay collective condition continual create critical cultural Descartes desire discourse discuss distance dream effect evidence example face fact fear film Holocaust horror idea identity idolatry images infection interview Invasion issue Jewish Jewish art Jews less lives look Louganis Louganis's means memory Michigan montage narrative never Nidre notes notion object original Outrage past Pelechian play politics position possibility present Press question race racial racism reason reference relation represent representation Second Commandment Secrets seems seen sense sexual shot social speak story Studies suggests suture Tawana television theory thing turn understand University victims Vincent visibility visual writes York