Im Buch
Ergebnisse 1-3 von 21
Seite 10
One tries to make images that are not idolatrous but in a relation of face to face with the spectator , where the Other is . The spectator ought to be a true Other , the cinema should not be a machine to embrace and absorb the spectator ...
One tries to make images that are not idolatrous but in a relation of face to face with the spectator , where the Other is . The spectator ought to be a true Other , the cinema should not be a machine to embrace and absorb the spectator ...
Seite 11
Their notion of idolatry as betrayal could be reconciled with Akerman's notion of idolatry as a failure to acknowledge the alterity of the face - to - face encounter ( Halbertal and Margalit 9–36 ) . According to their account ...
Their notion of idolatry as betrayal could be reconciled with Akerman's notion of idolatry as a failure to acknowledge the alterity of the face - to - face encounter ( Halbertal and Margalit 9–36 ) . According to their account ...
Seite 74
He is also physically sutured , in medical terms , his face bears patterns of stitches that will serve to reshape his visage into that of Vincent Towers . While the film never reflects anything but Haysbert's face in Clay Arlington's ...
He is also physically sutured , in medical terms , his face bears patterns of stitches that will serve to reshape his visage into that of Vincent Towers . While the film never reflects anything but Haysbert's face in Clay Arlington's ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
AIDS Akerman's allowed American argues artistic asked assimilation awareness become beginning believe body Brawley Brawley's century Christian cinema claim Clay Clay's collective condition continual critical cultural desire discourse discuss distance dream effect evidence example explain face fact fear film Holocaust horror idea identity idolatry images infection interview Invasion Jewish Jewish art Jews less lives look Louganis Louganis's means memory Michigan montage narrative never Nidre notes notion object original Outrage past Pelechian play politics position possibility present Press question race racial racism reason reference relation represent representation Second Commandment Secrets seems seen sense sexual shot social speak story Studies suggests suture Tawana television theory thing turn understand University victims Vincent visibility visual writes York