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Seite 55
Within this framework of intense and enforced belonging , the body with AIDS on television becomes especially privy to the mythos of instant , continual , and all - pervasive visual record that is considered integral to the nature of ...
Within this framework of intense and enforced belonging , the body with AIDS on television becomes especially privy to the mythos of instant , continual , and all - pervasive visual record that is considered integral to the nature of ...
Seite 57
... technology.11 In 1995 , the continual repetition of the shot along with the vaunted simultaneity and newsbreaking aura of the broadcast organised and transmitted Louganis's body within the aesthetic paradigms of diving .
... technology.11 In 1995 , the continual repetition of the shot along with the vaunted simultaneity and newsbreaking aura of the broadcast organised and transmitted Louganis's body within the aesthetic paradigms of diving .
Seite 62
In order to make Louganis absolutely clear as a source of AIDS from the start , “ Secrets " engaged in a continual repetition of the salient facts of the athlete's life , illustrated with images from his life .
In order to make Louganis absolutely clear as a source of AIDS from the start , “ Secrets " engaged in a continual repetition of the salient facts of the athlete's life , illustrated with images from his life .
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Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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AIDS Akerman's allowed American argues artistic asked assimilation awareness become beginning believe body Brawley Brawley's century Christian cinema claim Clay Clay's collective condition continual critical cultural desire discourse discuss distance dream effect evidence example explain face fact fear film Holocaust horror idea identity idolatry images infection interview Invasion Jewish Jewish art Jews less lives look Louganis Louganis's means memory Michigan montage narrative never Nidre notes notion object original Outrage past Pelechian play politics position possibility present Press question race racial racism reason reference relation represent representation Second Commandment Secrets seems seen sense sexual shot social speak story Studies suggests suture Tawana television theory thing turn understand University victims Vincent visibility visual writes York