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Seite 92
Time Against Me , My Cinema Against Time Artavazd Pelechian Montage that destroys montage . Montage to absent images . Many people erroneously think that my films are montage films . This is not true . My films are not montage films .
Time Against Me , My Cinema Against Time Artavazd Pelechian Montage that destroys montage . Montage to absent images . Many people erroneously think that my films are montage films . This is not true . My films are not montage films .
Seite 95
It's not a question of pretension ; I believe that cinema as such , and not only my own , possesses the means to realize this ambition . Niney : The paradox is that in seeing your films , one discovers this possibility as an obvious ...
It's not a question of pretension ; I believe that cinema as such , and not only my own , possesses the means to realize this ambition . Niney : The paradox is that in seeing your films , one discovers this possibility as an obvious ...
Seite 100
In my theory of montage in counterpoint , the archive has allowed me to treat one of the givens of life , which only the cinema has been able to get through : time . My treatment of archives is a little like the work of a potter who has ...
In my theory of montage in counterpoint , the archive has allowed me to treat one of the givens of life , which only the cinema has been able to get through : time . My treatment of archives is a little like the work of a potter who has ...
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Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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