Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 1Indiana University Press, 2000 |
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Seite 71
... Vincent and Clay agree that " our physical similarity is disarming . " In this manner , the film delivers its comedic punch : within the film everyone accepts Clay as Vincent , remaining effectively colorblind and suturing him into ...
... Vincent and Clay agree that " our physical similarity is disarming . " In this manner , the film delivers its comedic punch : within the film everyone accepts Clay as Vincent , remaining effectively colorblind and suturing him into ...
Seite 74
... Vincent Towers . While the film never reflects anything but Haysbert's face in Clay Arlington's looking glass , Clay seems to agree with the nurses and doctors around him that he sports Vincent's features after the surgery . The ...
... Vincent Towers . While the film never reflects anything but Haysbert's face in Clay Arlington's looking glass , Clay seems to agree with the nurses and doctors around him that he sports Vincent's features after the surgery . The ...
Seite 84
... Vincent , he chooses to remain — are we surprised ? -powerful , rich , and in love . Max , however , insists that ... Vincent Towers ; he is Clay Arlington . He may dress in Vincent's fine clothes , drive Vincent's expensive car , play ...
... Vincent , he chooses to remain — are we surprised ? -powerful , rich , and in love . Max , however , insists that ... Vincent Towers ; he is Clay Arlington . He may dress in Vincent's fine clothes , drive Vincent's expensive car , play ...
Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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