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Seite 57
Secrets " allowed for the recasting of a specific historical mo- ment , the initial dive in 1988 , within the now differently inflected scenario presented by the athlete's revelation of AIDS . Within 20 / 20's presentation ...
Secrets " allowed for the recasting of a specific historical mo- ment , the initial dive in 1988 , within the now differently inflected scenario presented by the athlete's revelation of AIDS . Within 20 / 20's presentation ...
Seite 58
and contexts set out by " Secrets , " the segment was less a revelation than an affirmation of a televisual induction of knowledge about Louganis , his AIDS , and his body that seemed to only confirm the presence of a " disease " that ...
and contexts set out by " Secrets , " the segment was less a revelation than an affirmation of a televisual induction of knowledge about Louganis , his AIDS , and his body that seemed to only confirm the presence of a " disease " that ...
Seite 62
In order to make Louganis absolutely clear as a source of AIDS from the start , “ Secrets " engaged in a continual repetition of the salient facts of the athlete's life , illustrated with images from his life .
In order to make Louganis absolutely clear as a source of AIDS from the start , “ Secrets " engaged in a continual repetition of the salient facts of the athlete's life , illustrated with images from his life .
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Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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AIDS Akerman's allowed American argues artistic asked assimilation awareness become beginning believe body Brawley Brawley's century Christian cinema claim Clay Clay's collective condition continual critical cultural desire discourse discuss distance dream effect evidence example explain face fact fear film Holocaust horror idea identity idolatry images infection interview Invasion Jewish Jewish art Jews less lives look Louganis Louganis's means memory Michigan montage narrative never Nidre notes notion object original Outrage past Pelechian play politics position possibility present Press question race racial racism reason reference relation represent representation Second Commandment Secrets seems seen sense sexual shot social speak story Studies suggests suture Tawana television theory thing turn understand University victims Vincent visibility visual writes York