Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 1Indiana University Press, 2000 |
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Seite 77
... Renee helps reconstruct Clay's features as those of Vincent . She gradually exchanges her crisp , medical demeanor for a softer , more romantic focus on Clay . Before this begins , however , she has a highly negative assessment of ...
... Renee helps reconstruct Clay's features as those of Vincent . She gradually exchanges her crisp , medical demeanor for a softer , more romantic focus on Clay . Before this begins , however , she has a highly negative assessment of ...
Seite 78
... Renee earlier disregarded Max's perception that Clay's personality is different from Vincent's , she now sets aside their physical differences . Dualism maintains ; it merely reverses . As for Renee's misreading ( or mis - viewing ) ...
... Renee earlier disregarded Max's perception that Clay's personality is different from Vincent's , she now sets aside their physical differences . Dualism maintains ; it merely reverses . As for Renee's misreading ( or mis - viewing ) ...
Seite 87
... Renee early in the film ( " What a LOVELY dress , " she woodenly exclaims ) , exemplifying a distance and plasticity of interaction and echoing the more intensive aloofness that Vincent Towers most supremely represents in his ...
... Renee early in the film ( " What a LOVELY dress , " she woodenly exclaims ) , exemplifying a distance and plasticity of interaction and echoing the more intensive aloofness that Vincent Towers most supremely represents in his ...
Inhalt
Total Duplicity of this War | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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