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Seite 57
Louganis's collision had been replayed incessantly in 1988 , the repetition speaking at once to the fascination with the image as well as to the showcasing of television's technology . 11 In 1995 , the continual repetition of the shot ...
Louganis's collision had been replayed incessantly in 1988 , the repetition speaking at once to the fascination with the image as well as to the showcasing of television's technology . 11 In 1995 , the continual repetition of the shot ...
Seite 58
and contexts set out by “ Secrets , ” the segment was less a revelation than an affirmation of a televisual induction of knowledge about Louganis , his AIDS , and his body that seemed to only confirm the presence of a “ disease ” that ...
and contexts set out by “ Secrets , ” the segment was less a revelation than an affirmation of a televisual induction of knowledge about Louganis , his AIDS , and his body that seemed to only confirm the presence of a “ disease ” that ...
Seite 60
The Herb Ritts photographs accompanying the piece dwelt unambiguously upon his body while surveying its athletic beauty.12 The image of Louganis that headlined the essay was a full - length shot of him in diving shorts , smiling with ...
The Herb Ritts photographs accompanying the piece dwelt unambiguously upon his body while surveying its athletic beauty.12 The image of Louganis that headlined the essay was a full - length shot of him in diving shorts , smiling with ...
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Inhalt
Table of Contents | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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AIDS allowed American argues artistic asked awareness become beginning believe body Brawley Brawley's century Christian cinema claim Clay collective condition continual create critical cultural Descartes desire discourse discuss distance dream effect evidence example face fact fear film Holocaust horror idea identity idolatry images infection interview Invasion issue Jewish Jewish art Jews less lives look Louganis Louganis's means memory Michigan montage narrative never Nidre notes notion object original Outrage past Pelechian play politics position possibility present Press question race racial racism reason reference relation represent representation Second Commandment Secrets seems seen sense sexual shot social speak story Studies suggests suture Tawana television theory thing turn understand University victims Vincent visibility visual writes York