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Seite 16
Although it is only one of ten , the Second Commandment enjoys a disproportionate popularity among Jewish artists and ... Given the enthusiasm with which even non - observant Jews have embraced the Second Com- mandment , it might seem ...
Although it is only one of ten , the Second Commandment enjoys a disproportionate popularity among Jewish artists and ... Given the enthusiasm with which even non - observant Jews have embraced the Second Com- mandment , it might seem ...
Seite 17
It is less astounding , however , if we consider the historical source through which secular Jewish artists and thinkers encountered the association between Jews and the Second Commandment . Most art theorists had a rather weak grasp of ...
It is less astounding , however , if we consider the historical source through which secular Jewish artists and thinkers encountered the association between Jews and the Second Commandment . Most art theorists had a rather weak grasp of ...
Seite 18
No Jewish component could be allowed to mar the purity of German or French art . The result was that as much as Jews have contributed to the discourse of art in the last century , that discourse was , and to a certain extent still is ...
No Jewish component could be allowed to mar the purity of German or French art . The result was that as much as Jews have contributed to the discourse of art in the last century , that discourse was , and to a certain extent still is ...
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Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 1 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 2000 |
| Original von | University of California |
| Digitalisiert | 20. Juni 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |