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Seite 74
While the film never reflects anything but Haysbert's face in Clay Arlington's looking glass , Clay seems to agree with the nurses and doctors around him that he sports Vincent's features after the surgery .
While the film never reflects anything but Haysbert's face in Clay Arlington's looking glass , Clay seems to agree with the nurses and doctors around him that he sports Vincent's features after the surgery .
Seite 77
They discuss Clay's dreams , which reveal flashes of his former life , girlfriend , and job , and are also troubled by scenarios in which he is stuck by needles in his boot , arms , and body , reminding him eventually of " Needles ...
They discuss Clay's dreams , which reveal flashes of his former life , girlfriend , and job , and are also troubled by scenarios in which he is stuck by needles in his boot , arms , and body , reminding him eventually of " Needles ...
Seite 87
Indeed , in this film , where reclaiming one's cultural and historical past may be otherwise empowering , in Clay's experience it is not . Max's invective to claim his past and choose his former life forces a stark choice of extreme ...
Indeed , in this film , where reclaiming one's cultural and historical past may be otherwise empowering , in Clay's experience it is not . Max's invective to claim his past and choose his former life forces a stark choice of extreme ...
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Inhalt
22 | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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