Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 1Indiana University Press, 2000 |
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Seite 74
... Clay , this " crossing " occurs through puns , Freudian parapraxes that are classically invoked by his analyst . These puns disrupt the normative suture ( that he is Vincent ) , and open up the counter - narrative of Clay's past . The ...
... Clay , this " crossing " occurs through puns , Freudian parapraxes that are classically invoked by his analyst . These puns disrupt the normative suture ( that he is Vincent ) , and open up the counter - narrative of Clay's past . The ...
Seite 77
... Clay's personal history , but I am suggesting that the elision of Clay's blackness , within the film , extends that commentary as well to a reflection on the necessity and / or desirability of rediscovering one's cultural roots . Clay ...
... Clay's personal history , but I am suggesting that the elision of Clay's blackness , within the film , extends that commentary as well to a reflection on the necessity and / or desirability of rediscovering one's cultural roots . Clay ...
Seite 87
... Clay's experience it is not . Max's invective to claim his past and choose his former life forces a stark choice of extreme consequences . In this sense , for multicultural theory , the film calls into question the impact of ordering ...
... Clay's experience it is not . Max's invective to claim his past and choose his former life forces a stark choice of extreme consequences . In this sense , for multicultural theory , the film calls into question the impact of ordering ...
Inhalt
Total Duplicity of this War | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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