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the axe. After him, four voted for death; then, five for banishment. Six to six. Anxiety had now reached a distressing point. The Chancellor stormed and threatened; but in vain. On the twenty-fifth of December the result was known. Nine for death, thirteen for banishment. Saved! "I am so glad," Sévigné wrote to Simon Arnauld, “that I am beside myself." She exulted too soon. The King was not to be balked of his vengeance. He refused to abide by the verdict of the Commission he himself had packed, and arbitrarily changed the decree of banishment to imprisonment for life in the Castle of Pignerol,to solitary confinement, wife, family, friends, not to be permitted to see the prisoner, or to write to him; even his valet was taken away.

Thus the magnificent Surintendant disappeared from the world forever,-buried alive, but indomitable and cheerful. His last message to his wife was, "I am well. Keep up your courage; I have enough for myself, and to spare."

"We still hope for some relaxation," Sévigné writes again; but none ever came from the narrow-hearted, vindictive King. He exiled Roquesante, the judge who had shown the most kindness to Fouquet, and turned an Avocat -Général out of office for saying that Pussort was a disgrace to the Parliament he belonged to. Madame Fouquet, the mother, famous for her book of prescriptions, "Recueil de Recettes Choisies," who had cured, or was supposed to have cured, the Queen by a plaster of her composition, threw herself at the King's feet, with her son's wife and children. Their prayer was coldly refused, and they soon received an order to reside in remote parts of France. Time seemed to have no mollifying effect upon the animosity of the King. Six years later, a young man who attempted to carry a letter from Fouquet to his wife was sent to the galleys; and in 1676, fifteen years after the arrest, Madame de Montespan had not influence enough to obtain permission for Madame Fouquet and her children to visit the prisoner.

This cruel and illegal punishment lasted for twenty years, until an attack of apoplexy placed the Surintendant beyond the reach of his torturer. So lost had he been in his living tomb, that it is a debated point whether he died in Pignerol or not. He has even been one of the candidates for the mysterious dignity of the Iron Mask. In his dungeon he could learn nothing of what was passing in the world. Lauzun, whose every-day life seemed more unreal and romantic than the dreams of ordinary men, was confined in Pignerol. Active and daring as Jack Sheppard, he dug through the wall of his cell, and discovered that his next neighbor was Fouquet. When he told his fellow-prisoner of his adventures and of his honors, how he had lost the place of Grand Master of the Artillery through Louvois, and had only missed being the acknowledged husband of the granddaughter of Henry IV. because Madame de Montespan persuaded the King to withdraw his consent, Fouquet, who recollected him as a poor cadet de famille, thought him crazy, and begged the jailer to have him watched and properly cared for.

The Surintendant had twice wounded the vanity of his King. He had presumed to have a more beautiful château than his master, and had unluckily fancied the same woman. Louis revenged himself by burying his rival alive for twenty years. That Fouquet had plotted rebellion nobody believed. He was too wise a politician not to know that the French were weary of civil war and could not be tempted to exchange one master for half a dozen military tyrants. That he had taken the public money for his own use was not denied, even by his friends; and banishment would have been a just punishment, although, perhaps, a harsh

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erished by years of internal commotions had accustomed public men to strange and irregular expedients, and unscrupulous financiers catch fine fish in troubled waters. Mazarin openly put thousands of livres into his pocket; the Surintendant imitated him on a smaller scale. But, if he paid himself liberally for his services, he also showed energy and skill in his attempts to restore order and economy in the administration of the revenue. After his disgrace money was not much more plenty. France, it is true, tranquil and secure within her borders, again showed signs of wealth, and was able to pay heavier taxes; but the King wasted them on his wars, his châteaux, and his mistresses, as recklessly as the Surintendant. He had no misgivings as to his right to spend the people's money. From his principle, "L'État, c'est moi," followed the corollary, "The income of the State is mine." From 1664 to 1690 one hundred and sixteen millions of livres were laid out in unnecessary hôtels, chateaux, and gardens. His ministers imitated him at a humble distance. Louvois boasted that he had reached his fourteenth million at Meudon. "I like," said Louis, "to have those who manage my affairs skilfully do a good business for themselves."

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Before many years had passed, it was evident that Colbert, with all his energy and his systems, did not make both the financial ends meet any better than the Surintendant. A merchant of Paris, with whom he consulted, told him, "You found the cart upset on one side, and you have upset it on the other." Colbert had tried to lighten it by striking eight millions of rentes from the funded debt; but it was too deeply imbedded in the mire; the shoulder of Hercules at the wheel

could not have extricated it. After Colbert was removed, times grew harder. Long before the King's death the financial distress was greater than in the wars and days of the Fronde. Every possible contrivance by which money could be raised was resorted to. Lotteries were drawn, tontines established, letters of nobility offered for sale at two thousand crowns each. Those who preferred official rank could buy the title of Councillor of State or of Commissioner of Police. New and profitable offices were created and disposed of to the highest bidder,-inspectorships of wood, of hay, of wine, of butter. Arbitrary power, no matter whether we call it sovereign prince or sovereign people, falls instinctively into the same ways in all times and countries. The Demos of a neighboring State, absolute and greedy as any monarch, have furnished us with plenty of examples of this last imposition upon industry. Zealous servants are rewarded and electionexpenses paid by similar inspectorships and commissionerships, not only useless, but injurious, to every one except those who hold them.

When these resources became exhausted, a capitation-tax was laid, followed by an assessment of one tenth, and the adulteration of the currency. The King cut off the pension-list, sold his plate, and dismissed his servants. Misery and starvation laid waste the realm. At last, the pompous, "stagy" old monarch died, full of infirmities and of humiliations; and the road from the Boulevard to St. Denis was lined with booths as for a fête, and the people feasted, sang, and danced for joy that the tyrant was in his coffin. Time, the galantuomo, amply avenged Fouquet.

AMONG THE MORMONS.

THE approach to Salt Lake City from the east is surprisingly harmonious with the genius of Mormonism. Nature, usually so unpliant to the spirit of people who live with her, showing a bleak and rugged face, which poetically should indicate the abode of savages and ogres, to Hans Christian Andersen and his hospitable countrymen, but lavishing the eternal summer of her tropic sea upon barbarians who eat baked enemy under her palms, or throw their babies to her crocodiles, this stiff, unaccommodating Nature relents into a little expressiveness in the neighborhood of the Mormons, and you feel that the grim, tremendous cañons through which your overland stage rolls down to the City of the Saints are strangely fit avenues to an anomalous civilization.

We speak of crossing the Rocky Mountains from Denver to Salt Lake; but, in reality, they reach all the way between those places. They are not a chain, as most Eastern people imagine them, but a giant ocean caught by petrifaction at the moment of maddest tempest. For six hundred miles the overland stage winds over, between, and around the tremendous billows, lying as much as may be in the trough, and reaching the crest at Bridger's Pass, (a sinuous gallery, walled by absolutely bare yellow mountains between two and three thousand feet in height at the road-side,) but never getting entirely out of the RockyMountain system till it reaches the Desert beyond Salt Lake. Even there it runs constantly among mountains; in fact, it never loses sight of lofty ranges from the moment it makes Pike's Peak till its wheels (metaphorically) are washed by the Pacific Ocean; but the mountains of the Desert may legitimately set up for themselves, belonging, as I believe, to a system independent of the Rocky Mountains on the one side and the Sierra Nevada on the other. At a

little plateau among snowy ridges a few miles east of Bridger's Pass, the driver leans over and tells his insiders, in a matter-of-fact manner, through the window, that they have reached the summit-level. Then, if you have a particle of true cosmopolitanism in you, it is sure to come out. There is something indescribably sublime, a conception of universality, in that sense of standing on the water-shed of a hemisphere. You have reached the secret spot where the world clasps her girdle; your feet are on its granite buckle; perhaps there sparkles in your eyes that fairest gem of her cincture, a crystal fountain, from which her belt of rivers flows in two opposite ways. Yesterday you crossed the North Platte, almost at its source (for it rises out of the snow among the Wind-River Mountains, and out of your stage-windows you can see, from Laramie Plains, the Lander's Peak which Bierstadt has made immortal); that stream runs into the sea from whose historic shores you came; you might drop a waif upon its ripples with the hope of its reaching New Orleans, New York, Boston, or even Liverpool. To-morrow you will be ferried over Green River, as near its source, a stream whose cradle is in the same snow-peaks as the Platte, — whose mysterious middle - life, under the new name of the Colorado, flows at the bottom of those tremendous fissures, three thousand feet deep, which have become the wonder of the geologist, whose grave, when it has dribbled itself away into the dotage of shallows and quicksands, is the desert-margined Gulf of California and the Pacific Sea. Between Green River and the Mormon city no human interest divides your perpetually strained attention with Nature. Fort Bridger, a little over a day's stage-ride east of the city, is a large and quite a populous trading-post and garrison of the United States; but although we found there a number of agreeable officers, whose acquaintance

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with their wonderful surroundings was thorough and scientific, and though at that period the fort was a rendezvous for our only faithful friend among the Utah Indians, Washki, the Snake chief, and that handful of his tribe who still remained loyal to their really noble leader and our Government, Fort Bridger left the shadowiest of impressions on my mind, compared with the natural glories of the surrounding scenery.

Mormondom being my theme, and my space so limited, I must resist the temptation to give detailed accounts of the many marvellous masterpieces of mimetic art into which we find the rocks of this region everywhere carved by the hand of Nature. Before we came to the North Platte, we were astonished by a ship, equalling the Great Eastern in size, even surpassing it in beauty of outline, its masts of columnar sandstone snapped by a storm, its prodigious hulk laboring in a gloomy sea of hornblendic granite, its deck-houses, shapen with perfect accuracy of imitation, still remaining in their place, and a weird-looking demon at the wheel steering it on to some invisible destruction. This naval statue (if its bulk forbid not the name) was carved out of a coarse millstone-grit by the chisel of the wind, with but slight assistance from the infrequent rain-storms of this region. In Colorado I first began to perceive how vast an omission geologists had been guilty of in their failure to give the wind a place in the dynamics of their science. Depending for a year at a time, as that Territory sometimes does, upon dews and meltings from the snow-peaks for its water, it is nevertheless fuller than any other district in the world of marvellous architectural simulations, vast cemeteries crowded with monuments, obelisks, castles, fortresses, and natural colossi from two to five hundred feet high, done in argillaceous sandstone or a singular species of conglomerate, all of which owe their existence almost entirely to the agency of wind. The arid plains from which the conglomerate crops out rarefy the superincumbent air-stratum to such a degree that the intensely chilled

layers resting on the closely adjoining snow-peaks pour down to reestablish equilibrium, with the wrathful force of an invisible cataract, eight, ten, even seventeen thousand feet in height. These floods of cold wind find their appropriate channels in the characteristic cañons which everywhere furrow the whole Rocky-Mountain system to its very base. Most of these are exceedingly tortuous, and the descending winds, during their passage through them, acquire a spiral motion as irresistible as the fiercest hurricane of the Antilles, which, moreover, they preserve for miles after they have issued from the mouth of the cañon. Every little cold gust that I observed in the Colorado country had this corkscrew character. The moment the spiral reaches a loose sandbed, it sweeps into its vortex all the particles of grit which it can hold. The result is an auger, of diameter varying from an inch to a thousand feet, capable of altering its direction so as to bore curved holes, revolving with incalculable rapidity, and armed with a cutting edge of silex. Is it possible to conceive an instrument more powerful, more versatile? Indeed, practically, there is no description of surface, no kind of cut, which it is not capable of making. I have repeatedly seen it in operation. One day, while riding from Denver to Pike's Peak, I saw it (in this instance, one of the smaller diameters) burrow its way six or seven feet into a sand-bluff, making as smooth a hole as I could cut in cheese with a borer, of the equal diameter of six inches throughout, all in less time than I have taken to describe it. Repeatedly, on the same trip, I saw it gouge out a circular groove around portions of a similar bluff, and leave them standing as isolated columns, with heavy base and capital, presently to be solidified into just such rock pillars as throng the cemeteries or aid in composing the strange architectural piles mentioned above. Surveyor-General Pierce of Colorado, (a man whose fine scientific genius and culture have already done yeoman's service in the study of that most

interesting Territory,) on a certain occasion, saw one of these wind-and-silex augers meet at right angles a window-pane in a settler's cabin, which came out from the process, after a few seconds, a perfeet opaque shade, having been converted into ground-glass as neatly and evenly as could have been effected by the manufacturer's wheel. It is not a very rare thing in Colorado to be able to trace the spiral and measure the diameter of the auger by rocks of fifty pounds' weight and tree-trunks half as thick as an average man's waist, torn up from their sites, and sent revolving overhead for miles before the windy turbine loses its impetus. The efficiency of an instrument like this I need not dwell upon. After some protracted examination and study of many of the most interesting architectural and sculpturesque structures of the RockyMountain system, I am convinced that they are mainly explicable on the hypothesis of the wind-and-silex instrument operating upon material in the earthy condition, which petrified after receiving its form. Indeed, this same instrument is at present nowise restricted by that condition in Colorado, and is not only, year by year, altering the conformation of all sand and clay bluffs on the Plains, but is tearing down, rebuilding, and fashioning on its facile lathe many rock-strata of the solidity of the more friable grits, wherever exposed to its action. Water at the East does hardly more than wind at the West.

Before we enter the City of the Saints, let me briefly describe the greatest, not merely of the architectural curiosities, but, in my opinion, the greatest natural curiosity of any kind which I have ever seen or heard of. Mind, too, that I remember Niagara, the Cedar - Creek Bridge, and the Mammoth Cave, when I speak thus of the Church Buttes.

They are situated a short distance from Fort Bridger; the overland road passes by their side. They consist of a sandstone bluff, reddish-brown in color, rising with the abruptness of a pile of masonry from the perfectly level plain, carved

along its perpendicular face into a series of partially connected religious edifices, the most remarkable of which is a cathedral as colossal as St. Peter's, and completely relieved from the bluff on all sides save the rear, where a portico joins it with the main precipice. The perfect symmetry of this marvellous structure would ravish Michel Angelo. So far from requiring an effort of imagination to recognize the propriety of its name, this church almost staggers belief in the unassisted naturalness of its architecture. It belongs to a style entirely its own. Its main and lower portion is not divided into nave and transept, but seems like a system of huge semi-cylinders erected on their bases, and united with reëntrant angles, their convex surfaces toward us, so that the ground-plan might be called a species of quatre-foil. In each of the convex faces is an admirably proportioned door-way, a Gothic arch with deepcarved and elaborately fretted mouldings, so wonderfully perfect in its imitation that you almost feel like knocking for admittance, secure of an entrance, did you only know the "Open sesame." Between and behind the doors, alternating with flying-buttresses, are a series of deepniched windows, set with grotesque statues, varying from the pigmy to the colossal size, representing demons rather than saints, though some of the figures are costumed in the style of religious art, with flowing sacerdotal garments.

The structure terminates above in a double dome, whose figure may be imagined by supposing a small acorn set on the truncated top of a large one, (the horizontal diameter of both being considerably longer in proportion to the perpendicular than is common with that fruit,) and each of these domes is surrounded by a row of prism - shaped pillars, half column, half buttress in their effect, somewhat similar to the exquisite columnar entourage of the central cylinder of the leaning tower of Pisa. The result of this arrangement is an aërial, yet massive beauty, without parallel in the architecture of the world. I have not

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