Aids to English Composition, Prepared for Students of All Grades: Embracing Specimens and Examples of School and College Exercises, and Most of the Higher Departments of English Composition, Both in Prose and Verse
Harper & Brothers, 1845 - 429 Seiten
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accent acute accent admiration adverb Allowable rhymes Anapaestic ancient Antonomasia beauty called Catachresis character clause comma composition compound compound sentence connexion delight derived Eacercises earth Ecample effect English English language Example exercise expression eyes father feelings figure following sentence Francesco Doria frequently genius give grave accent Greek Greek language happiness heart honor idea imagination influence kind labor language Latin Latin language letter literary literature look manner means mind moral nation nature Nearly perfect rhymes never nouns object observed Onomatopoeia opinion participles of verbs Philosophical phrases pleasure Pleonasm poet poetical poetry present preterits and participles principles pronoun proper proposition prose reason remark rule Saxon sense short signifies sometimes sound spirit student style syllable tautology tence thing thou thought tion Trochees truth verse virtue words writer written young
Seite 127 - Knowledge dwells In heads replete with thoughts of other men, Wisdom in minds attentive to their own.
Seite 403 - And where we are, our learning likewise is. Then, when ourselves we see in ladies...
Seite 237 - I AM monarch of all I survey, My right there is none to dispute ; From the centre all round to the sea I am lord of the fowl and the brute.
Seite 105 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Seite 170 - Nor less composure waits upon the roar Of distant floods, or on the softer voice Of neighbouring fountain, or of rills that slip Through the cleft rock, and chiming as they fall Upon loose pebbles, lose themselves at length In matted grass, that with a livelier green Betrays the secret of their silent course.
Seite 403 - tis strange : And oftentimes, to win us to our harm, The instruments of darkness tell us truths : Win -us with honest trifles, to betray us In deepest consequence.
Seite 129 - The style of Dryden is capricious and varied, that of Pope is cautious and uniform; Dryden obeys the motions of his own mind, Pope constrains his mind to his own rules of composition. Dryden is sometimes vehement and rapid; Pope is always smooth, uniform, and gentle.
Seite 105 - Though oft the ear the open vowels tire; While expletives their feeble aid do join; And ten low words oft creep in one dull line: While they ring round the same unvaried chimes With sure returns of still expected rhymes: Where'er you find "the cooling western breeze...
Seite 321 - A man of a polite imagination is let into a great many pleasures that the vulgar are not capable of receiving. He can converse with a picture, and find an agreeable companion in a statue. He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows, than another does in the possession.