Papers on Literature and Art, Teile 1-2Wiley and Putnam, 1846 |
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Seite vi
... mind during the ten years that , in the intervals allowed me by other engagements , I have written for the public . To those of my friends , who have often expressed a wish that I could find time to write , " it will be a satisfaction ...
... mind during the ten years that , in the intervals allowed me by other engagements , I have written for the public . To those of my friends , who have often expressed a wish that I could find time to write , " it will be a satisfaction ...
Seite 4
... mind of his race . The critic is beneath the maker , but is his needed friend . What tongue could speak but to an intelligent ear , and every noble work demands its critic . The richer the work , the more severe should be its critic ...
... mind of his race . The critic is beneath the maker , but is his needed friend . What tongue could speak but to an intelligent ear , and every noble work demands its critic . The richer the work , the more severe should be its critic ...
Seite 15
... minds of the two Herberts , under a form less elaborate and more reverent than that of criticism . A mind of penetrating and creative power could not find a better subject for a masterly picture . The two figures stand as ...
... minds of the two Herberts , under a form less elaborate and more reverent than that of criticism . A mind of penetrating and creative power could not find a better subject for a masterly picture . The two figures stand as ...
Seite 16
... mind , " it would seem at such hours and in such places as if it not merely hovered over the earth , a poetic presence to animate our pulses and give us courage for what must be , but sometimes alighted . Such fulness of expression ...
... mind , " it would seem at such hours and in such places as if it not merely hovered over the earth , a poetic presence to animate our pulses and give us courage for what must be , but sometimes alighted . Such fulness of expression ...
Seite 17
... mind . In the times of the Sydneys and Russells , the English body was a strong and nobly - proportioned vase , in which shone a steady and powerful , if not brilliant light . The chains of convention , an external life grown out of pro ...
... mind . In the times of the Sydneys and Russells , the English body was a strong and nobly - proportioned vase , in which shone a steady and powerful , if not brilliant light . The chains of convention , an external life grown out of pro ...
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Häufige Begriffe und Wortgruppen
admirable Ambla Artevelde artist Bach beauty Beethoven better breast brother calm character Charles Wesley charm child clavichord critic Dædalus deep delight divine drama earth expression eyes faith fancy feel felt flowers fugue genius give grace Handel happy harmony harpsichord Haydn hear heart heaven honour hope hour human intellectual interest John Sebastian less light literature lives look Lord Madame de Staël means melody mind misanthropy Mozart muse nature never noble o'er Paracelsus passages passion perfect Philip Van Artevelde picture play pleasure poems poet poetic poetry present Prince reverence rich scene seems Senesino Shakspeare Sir James Mackintosh song soul speak spirit Strafford SWEDENBORGIANISM sweet sympathy taste tender thee Theodorus Bailey things thou thought tion tone touch true truth verse whole wish words Wordsworth write
Beliebte Passagen
Seite 71 - What thou art we know not: What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody. Like a poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not...
Seite 37 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Seite 87 - A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear O Lady!
Seite 37 - Fra Pandolf" by design: for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I...
Seite 74 - Round whose rude shaft dark ivy-tresses grew Yet dripping with the forest's noonday dew, Vibrated, as the ever-beating heart Shook the weak hand that grasped it; of that crew He came the last, neglected and apart; A herd-abandoned deer struck by the hunter's dart.
Seite 72 - What objects are the fountains Of thy happy strain? What fields or waves or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain? With thy clear keen joyance Languor cannot be; Shadow of annoyance Never came near thee; Thou lovest, but ne'er knew love's sad satiety.
Seite 88 - To lift the smothering weight from off my breast? It were a vain endeavour, Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.
Seite 75 - The wind, the tempest roaring high, The tumult of a Tropic sky, Might well be dangerous food For him, a Youth to whom was given So much of earth, so much of Heaven, And such impetuous blood.
Seite 88 - And those thin clouds above, in flakes and bars, That give away their motion to the stars ; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen : Yon crescent Moon as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel how beautiful they are ! in.
Seite 75 - Who, if he rise to station of command, Rises by open means; and there will stand On honorable terms, or else retire, And in himself possess his own desire; Who comprehends his trust, and to the same Keeps faithful with a singleness of aim...