Your money, Sir?" My money, Sir! what all? "Why,—if I must-(then wept) I give it Paul.” The manor, Sir?" The manor! hold," he cry'd, "Not that, I cannot part with that”—and dy’d. And you, brave COBHAM! to the latest breath, Shall feel your ruling passion strong in death: Such in those moments as in all the past; "Oh, save my country, Heav'n !" shall be your last. VER. 261. and dy'd.] Sir William Bateman used those very words on his death-bed, but Euclio is supposed to have been designed for Sir Charles Duncombe of Helmsley, EPISTLE II. TO A LADY. Of the CHARACTERS of WOMEN. NOTHING so true as what you once let fall, "Most women have no characters at all." Matter too soft a lasting mark to bear, And best distinguish'd by black, brown, or fair. How many pictures of one nymph we view, Here Fannia, leering on her own good man, With simp❜ring angels, palms, and harps divine; If folly grow romantic, I must paint it. 5 10 15 Çome Come then, the colours and the ground prepare! Dip in the rainbow, trick her off in air; Chuse a firm cloud, before it fall, and in it Catch, ere she change, the Cynthia of this minute. 19 25 How soft is Silia! fearful to offend; The frail one's advocate, the weak one's friend. 30 To her, Calista prov'd her conduct nice; And good Simplicius asks of her advice. Sudden, she storms! she raves! You tip the wink, But spare your censure; Silia does not drink. All eyes may see from what the change arose, 35 All eyes may see—a pimple on her nose. Papillia, wedded to her am'rous spark, Sighs for the shades!" How charming is a Park !” A park is purchas'd, but the fair he sees 39 All bath'd in tears-“Oh odious, odious trees!" 'Tis to their changes half their charms we owe; Finé VER. 24. As Sappho's diʼmonds, &c.] It appears very clear that by Sappho, throughout, Lady Montagu must have been meant. Fine by defect, and delicately weak, Their happy spots the nice admirer take. As when she touch'd the brink of all we hate. 45 50 To make a wash, would hardly stew a child; 55 When 'tis by that alone she can be born? бо A fool to pleasure, yet a slave to fame : Now deep in Taylor and the Book of Martyrs, Now drinking citron with his Grace and Chartres: Now conscience chills her, and now passion burns: And atheism and religion take their turns; 66 A very heathen in the carnal part, Yet still a sad, good Christian at her heart. See VER. 68. Yet still a sad,] Thought to be designed for the then See sin in state, majestically drunk; Proud as a peeress, prouder as a punk; 70 What then? let blood and body bear the fault, Her head's untouch'd, that noble seat of thought : Such this day's doctrine-in another fit 75 She sins with poets through pure love of wit. 8Q Th' address, the delicacy-stoops at once, 85 And makes her hearty meal upon a dunce. Flavia's a wit, has too much sense to pray; To toast our wants and wishes is her way; VER. 70. Proud as a peeress,] Designed for the Duchess of Marlborough, who so much admired Congreve; and after his death caused a figure of wax-work to be made of him, and placed frequently at her table. VER. 77. What has not fir'd, &c.] In the MS. In whose mad brain the mixt ideas roll |