The Columbian Cyclopedia, Band 7Garretson, Cox, 1897 |
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... produced only by thirds or sevenths . Chords of more than two parts are either fundamental chords or inversions of ... produced , which is called the chord of the seventh , because the highest note is a seventh above the bass ...
... produced only by thirds or sevenths . Chords of more than two parts are either fundamental chords or inversions of ... produced , which is called the chord of the seventh , because the highest note is a seventh above the bass ...
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... produces the varieties of major , minor , and dimin ished sevenths , thus : Dominant 7th . Major 7th . Minor 7th . Diminished 7th . The C. of the seventh admits of three inversions , according As the notes above the fundamental note are ...
... produces the varieties of major , minor , and dimin ished sevenths , thus : Dominant 7th . Major 7th . Minor 7th . Diminished 7th . The C. of the seventh admits of three inversions , according As the notes above the fundamental note are ...
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... produced by the per- formers . At times the C. seemed to take part with or against the persons in the drama , by ... produce the same on the stage in the manner of the ancients , as , for example , in Schiller's Bride of Messina ...
... produced by the per- formers . At times the C. seemed to take part with or against the persons in the drama , by ... produce the same on the stage in the manner of the ancients , as , for example , in Schiller's Bride of Messina ...
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... produce a greater power of sound . The C. of 35 well - trained voices from the pope's chapel , who sang at the coronation of Napoleon I. , in the cathedral of Notre Dame , Paris , produced a far greater and more wonderful effect when ...
... produce a greater power of sound . The C. of 35 well - trained voices from the pope's chapel , who sang at the coronation of Napoleon I. , in the cathedral of Notre Dame , Paris , produced a far greater and more wonderful effect when ...
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... produced by dividing the whole tones of the diatonic scale into semitones , so that with the two diatonic semitones , already in the natural scale , the octave is divided into 12 semitones . Ascending C. passages are formed by the whole ...
... produced by dividing the whole tones of the diatonic scale into semitones , so that with the two diatonic semitones , already in the natural scale , the octave is divided into 12 semitones . Ascending C. passages are formed by the whole ...
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