Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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I have expressed my disagreement with George Sampson's view that the drama of Beatrice and Benedick is ' near to tragedy ' : the tone of their exchanges is confidently and securely comic . But it is important to remember that great ...
I have expressed my disagreement with George Sampson's view that the drama of Beatrice and Benedick is ' near to tragedy ' : the tone of their exchanges is confidently and securely comic . But it is important to remember that great ...
Seite 205
In tragedy , the silent female characters are under the same imperatives of family , state , and love as their comic counterparts , but the nature of the tragic genre generally implies an unhappy resolution . Women in tragedy often ...
In tragedy , the silent female characters are under the same imperatives of family , state , and love as their comic counterparts , but the nature of the tragic genre generally implies an unhappy resolution . Women in tragedy often ...
Seite 249
Barber and Wheeler ( 142 ) also note a connection with Hellmouth . Green , Douglas E. “ Interpreting ' her martyr'd signs ' : Gender and Tragedy in Titus Andronicus . ” Shakespeare Quarterly 40.3 ( 1989 ) : 317-326 . Hulse , S. Clark .
Barber and Wheeler ( 142 ) also note a connection with Hellmouth . Green , Douglas E. “ Interpreting ' her martyr'd signs ' : Gender and Tragedy in Titus Andronicus . ” Shakespeare Quarterly 40.3 ( 1989 ) : 317-326 . Hulse , S. Clark .
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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