Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 50
Thus , it seems that the force of the Bastard's report to John that " the Washes all unwarily / Devoured ” his power suggests John's final failure to get aloft the flood . After all , John , on hearing the news , dies and is no longer ...
Thus , it seems that the force of the Bastard's report to John that " the Washes all unwarily / Devoured ” his power suggests John's final failure to get aloft the flood . After all , John , on hearing the news , dies and is no longer ...
Seite 166
A closer look at this copiousness of speech in the play suggests that it is tied in a vital dialectical ... plays from the viewpoint of how both words and their absence may suggest the behavior and unspoken attitudes of characters .
A closer look at this copiousness of speech in the play suggests that it is tied in a vital dialectical ... plays from the viewpoint of how both words and their absence may suggest the behavior and unspoken attitudes of characters .
Seite 170
G. Wilson Knight suggests a connection between the “ unmetaphorical and transparent style ” and the play's “ visionary conception ” ( p . 223 ) which indicates something of Shakespeare's purposes : before wonder and miracle , at the ...
G. Wilson Knight suggests a connection between the “ unmetaphorical and transparent style ” and the play's “ visionary conception ” ( p . 223 ) which indicates something of Shakespeare's purposes : before wonder and miracle , at the ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young