Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 166
A closer look at this copiousness of speech in the play suggests that it is tied in a vital dialectical relationship to the negation of speech in dumbness and silence , and that a true understanding of the workings of language in the ...
A closer look at this copiousness of speech in the play suggests that it is tied in a vital dialectical relationship to the negation of speech in dumbness and silence , and that a true understanding of the workings of language in the ...
Seite 256
“ No such matter , ” explains Gouge , “ for silence in that place is not opposed to speech , as if she should not speake at all , but to loquacitie , to talkativenesse , to over - much tatling ” ( 282 ) . Here , as in Lear's wistful ...
“ No such matter , ” explains Gouge , “ for silence in that place is not opposed to speech , as if she should not speake at all , but to loquacitie , to talkativenesse , to over - much tatling ” ( 282 ) . Here , as in Lear's wistful ...
Seite 258
Another factor contributing to masculine discomfort with feminine silence was undoubtedly the humanist emphasis on the civilizing power of speech . Ben Jonson declares : “ Language most shows a man : “ speak that I may see thee .
Another factor contributing to masculine discomfort with feminine silence was undoubtedly the humanist emphasis on the civilizing power of speech . Ben Jonson declares : “ Language most shows a man : “ speak that I may see thee .
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young