Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 114
And in still another sense , inaudible let us hope to the speakers if not to the audience , the passage might reward the combined insights of Professors Partridge and Pyles . " Reade no further than you like : .
And in still another sense , inaudible let us hope to the speakers if not to the audience , the passage might reward the combined insights of Professors Partridge and Pyles . " Reade no further than you like : .
Seite 135
The characters certainly make much ado about such acts , which are indeed a kind of “ nothing , ” if we regard nothing in a paradoxically active sense , as a free form , an act liberated from content . The title's well known pun on ...
The characters certainly make much ado about such acts , which are indeed a kind of “ nothing , ” if we regard nothing in a paradoxically active sense , as a free form , an act liberated from content . The title's well known pun on ...
Seite 270
Uttering in despair of common sense his anguish over the deflation of a King to a madman , the Fool complains : “ This cold night will turn us all to fools and madmen ” ( 3.4.72 ) . His final silence serves the play's action by ...
Uttering in despair of common sense his anguish over the deflation of a King to a madman , the Fool complains : “ This cold night will turn us all to fools and madmen ” ( 3.4.72 ) . His final silence serves the play's action by ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young