Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Constance , Arthur , and Salisbury , from King John , Act III , scene i , engraving by G. Goldburg after a painting by F. Dicksee ... 61 , from Shakespearean Scenes and Characters . . . from Betterton to Irving , by Austin Brereton .
Constance , Arthur , and Salisbury , from King John , Act III , scene i , engraving by G. Goldburg after a painting by F. Dicksee ... 61 , from Shakespearean Scenes and Characters . . . from Betterton to Irving , by Austin Brereton .
Seite 184
In Act III , scene 1 , we hear the testimony of the two messengers Leontes has sent to Delphos to consult with the oracle of Apollo on the question of Hermione's guilt or innocence . We do not see the scene at Delphos , but we hear ...
In Act III , scene 1 , we hear the testimony of the two messengers Leontes has sent to Delphos to consult with the oracle of Apollo on the question of Hermione's guilt or innocence . We do not see the scene at Delphos , but we hear ...
Seite 237
Editorial redistribution of speeches in this scene - inspired by John Middleton Murry and followed by Brockbank's ... For Volumnia , the pride and anger that seemed out of place in the early scenes have become appropriate responses she ...
Editorial redistribution of speeches in this scene - inspired by John Middleton Murry and followed by Brockbank's ... For Volumnia , the pride and anger that seemed out of place in the early scenes have become appropriate responses she ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young