Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 27
It implies that the child's role is less essential to this scene than Hubert's and , in doing so , it resembles the contemporary critical depreciation of children's voices and roles in the most canonical of English writers .
It implies that the child's role is less essential to this scene than Hubert's and , in doing so , it resembles the contemporary critical depreciation of children's voices and roles in the most canonical of English writers .
Seite 251
I would argue that it is by the consolidation of power through the use of these three roles that James attempts to ... In this role , James would undertake the arrangement of marriages as an absolutist strategy of social control in ...
I would argue that it is by the consolidation of power through the use of these three roles that James attempts to ... In this role , James would undertake the arrangement of marriages as an absolutist strategy of social control in ...
Seite 347
We receive a reminder of this gender role when , early in the play , Timon enables Lucilius to marry the Old Athenian's ... For a recent elaboration on the roles that the dukes of Somerset and Buckingham played in King James's court ...
We receive a reminder of this gender role when , early in the play , Timon enables Lucilius to marry the Old Athenian's ... For a recent elaboration on the roles that the dukes of Somerset and Buckingham played in King James's court ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young