Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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His true majesty remains in doubt throughout the play . “ Majesty " as defined by the OED represents the dignity or greatness of a sovereign - his external magnificence and his sovereign power . John claims to be the true majesty of ...
His true majesty remains in doubt throughout the play . “ Majesty " as defined by the OED represents the dignity or greatness of a sovereign - his external magnificence and his sovereign power . John claims to be the true majesty of ...
Seite 200
Indeed , there is nothing in the playtext of Measure for Measure that rules out Hack's presentation of some of the final silences : a Barnardine who remains defiant and unsubdued , a Claudio who spurns his sister and embraces Juliet ...
Indeed , there is nothing in the playtext of Measure for Measure that rules out Hack's presentation of some of the final silences : a Barnardine who remains defiant and unsubdued , a Claudio who spurns his sister and embraces Juliet ...
Seite 266
However , fulfilment remains elusive for Lear . McGuire's Shakespeare portrays this theme of irresolution through Cordelia , the Fool , and finally of Lear . When Shakespeare imposes a silence on Cordelia and the Fool , effectively ...
However , fulfilment remains elusive for Lear . McGuire's Shakespeare portrays this theme of irresolution through Cordelia , the Fool , and finally of Lear . When Shakespeare imposes a silence on Cordelia and the Fool , effectively ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young
Bibliografische Informationen
| Titel | Shakespearean Criticism, Band 78 Literature criticism online Shakespearean Criticism |
| Herausgeber | Michael LaBlanc |
| Verlag | Gale, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787670081, 9780787670085 |
| Länge | 432 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |