Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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In modern productions , the complexities and ambiguities of the historical perspective , language , political conflict ... Recent productions of the play include Karin Coonrod's 2000 Theatre for a New Audience production , which ...
In modern productions , the complexities and ambiguities of the historical perspective , language , political conflict ... Recent productions of the play include Karin Coonrod's 2000 Theatre for a New Audience production , which ...
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King John is indeed a dark play , and the RSC production allows us to enter its shadows . Catherine Bates ( review date 13 April 2001 ) Northern Broadsides ' production emphasizes this by dressing the cast uniformly , with only colour ...
King John is indeed a dark play , and the RSC production allows us to enter its shadows . Catherine Bates ( review date 13 April 2001 ) Northern Broadsides ' production emphasizes this by dressing the cast uniformly , with only colour ...
Seite 200
2 Hack's production is a clear and distressing example of how , to avoid the complexities posed by the words Shakespeare wrote , a director has refashioned them so that they conform to and confirm , rather than challenge , his own ...
2 Hack's production is a clear and distressing example of how , to avoid the complexities posed by the words Shakespeare wrote , a director has refashioned them so that they conform to and confirm , rather than challenge , his own ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young