Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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The play is generally viewed as a transitional work that deviates from the providential plan of his other chronicle history plays . Set in the thirteenth century , King John details the declining reign of the titular English king ...
The play is generally viewed as a transitional work that deviates from the providential plan of his other chronicle history plays . Set in the thirteenth century , King John details the declining reign of the titular English king ...
Seite 64
Beneath the play's merriment , however , runs a strain of melancholy , because Much Ado about Nothing tells a powerful warning tale of the potential tragedy that can result from deception and miscommunication . The play has two plots .
Beneath the play's merriment , however , runs a strain of melancholy , because Much Ado about Nothing tells a powerful warning tale of the potential tragedy that can result from deception and miscommunication . The play has two plots .
Seite 285
A misanthropic hermit for the rest of his life , he dies in misery at the end of the play . Although Timon is believed to have been written about 1607 , there is no evidence that the play was performed during Shakespeare's lifetime ...
A misanthropic hermit for the rest of his life , he dies in misery at the end of the play . Although Timon is believed to have been written about 1607 , there is no evidence that the play was performed during Shakespeare's lifetime ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young
Bibliografische Informationen
| Titel | Shakespearean Criticism, Band 78 Literature criticism online Shakespearean Criticism |
| Herausgeber | Michael LaBlanc |
| Verlag | Gale, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787670081, 9780787670085 |
| Länge | 432 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |